I’ve had two more recent shoots with the ever-brilliant Karen Jones, with lots of pretty pics to show for it.
First, there was a shoot alongside the utterly beautiful Leah Axl, who is one of the nicest people I’ve met in this industry as well has having one of those faces that just can’t be photographed badly. For that, Karen dressed up a swing seat in her back garden, and we posed as Edwardian ladies, sipping tea and balancing bird cages with lap-dog Pip (the pet extra), before heading outdoors into the on-the-doorstep countryside, dressed partly in each other’s clothes, for some bohemian adventures with sheep (not in shot…).
For shoot numero two of recent sessions, Karen and I were joined by Tony Nutley
, who’s worked on many things, from Inspector Morse to Thomas The Tank Engine, and still hasn’t decided if he’s retired or not… 🙂 I first met him almost exactly four years ago, when the three of us had a little bash at some Lady Godiva-ing
, and it was lovely to meet up again.
Tony has kindly sent me these:
… While Karen has kindly me sent me these, the first group of which were taken using the window-light of the stables:
And, now I’m nearly off for 6 days in Florence! I’m really excited! I will be checking out my good friend David
while there and hopefully bagging some glorious images in the sunshine too. Ciao! 😉
I have yet another collection of images to show you from photographer Jeremy Howitt today. A recent concoction of curves, bokeh, grass and reflections…
Jeremy found this beautiful location in Sussex and I had the immediate idea that I should lie down for this first close-in, abstract crop – I have no idea why, it just felt obvious when I saw the frame of the long grass in the foreground and water behind; and Jeremy got it pretty much how I’d imagined, if not better, with a slightly voyeuristic hint and beautiful focus – I love the three little dots of bokeh in the diagonal line as well! Then Jeremy played around with some reflections as I sat/stood/lay on the little wooden jetties that surrounded the lake. To finish, we did a little ‘Gaia’ set in the nearby field. We don’t often do portraits so thought it would be a good idea, then finished with some explosive hair, naturally.
It was a pleasure to model again recently for Rayment Kirby, photography-improviser-extraordinaire (I was particularly impressed by the papier mache light, this time – Rayment is incredibly ingenious when it comes to creating equipment with which to work and produce various effects). We were working towards his latest book and created a good range of images, as shown below, with the aid of bohemian cushions, black fabric, jewellery, plastic sheeting, red rugs and rainy windows…
Life has been busy and hectic as always for me recently, with a bizarre emphasis on turning nocturnal over this last week or so, and some fun shoots in the early mornings, parties and exciting emails I don’t want to ‘jinx’ by mentioning. I’ve managed to be productive too, booking flights, visas, travel insurance, updating my website
, repairing my car (well, not me personally; that would be disastrous) and generally catching up on all those mundane things which keep a world spinning. Off to Norway very soon! Will update again soon after that…
I was asked by Stefano Brunesci to model for another tuition session back in March. The attending photographer was Chris Sinn, who wanted to learn a thing or two about Stefano’s methods and style (he wrote on his blog afterwards, as part of a lovely write up of the day: ‘there is just something about his lighting and style that makes me drop my bacon sandwich and inspires me to do better’!)
Stefano is a great teacher, not least because he is completely and utterly honest about what he does and how he does it, from lighting (he does achieve a lot in such a compact home studio!) to interaction with the subject. From a model’s point of view, I can say that Stefano is really, really great at encouragement – VERY vocal while shooting, which helps a lot and also goes a long way towards setting the particular mood that he tends to go for. His shooting tends to be quite fast-paced, so there is less ‘Pose. Click. Pose. Click’ (though there’s nothing wrong with that, and in general I can often be quite a ‘deliberate’ poser) and more ‘let’s just go a bit crazy in front of the camera without stopping’, which results more in the kind of energy of image you’ll see below.
First, I’ll show some shots by Chris, who I thought did very well and is a great photographer himself.
Here’s one Stefano took as a demo shot during the tuition, to show one of the lighting set ups:
And after Chris had gone, Stefano and I did a quick mini-shoot ourselves for fun. I do mean quick – these were taken in ten minutes:
… Any favourites?
I really love these shots taken by Kev at London’s Beltcraft Studio. We had a really fun shoot trying all sorts of things, and I think/hope there will be more images to show in the near future. For now, though, sometimes you just need to lie down with the roses….