You can read all about my recent trip to Brussels in the wake of the terror threat over here on my other blog, which I enjoy updating with various thoughts and pieces of writing now and then (and which you should definitely be following..! :-)), but over here, I thought I’d add some images taken while I was there by Luc Bollen. He took us to the same beautiful house as last time (some previous images here), but this time we used different rooms. I loved shooting there again. I should be able to show you more soon (this is just one set, really), but it’s very kind of him to send me some already.
Evening! Just a quick update before dinner to show some recent film images taken in Belgium recently by Dimitri, while listening to Radiohead, Blonde Redhead and other such stuff.
I found Dimitri’s way of working quite interesting; he absolutely forbid any posing whatsoever. Instead, I had to just ‘exist’ in front of the camera, go into my own thoughts and feelings and be completely un-self conscious. I think the results are good, and it made me think of the way different photographers work; there is such a range of methods among those I work with. Some come with exact ideas, some have no plan whatsoever, some take control, some want the model to take control and don’t offer any real direction, some want emotions and moods to be acted, some (rarer) want no acting whatsoever. I want to say I think I’ve noticed a very slight divide between British photographers and mainland European photographers in this last comparison, but I don’t know if that sounds pretentious, and I’d need to do more research… And the painter I’m modelling for again here in England is definitely of the ‘just be yourself’ camp, as we were discussing the other day, though perhaps that’s another difference (between painters and photographers). Usually I think modelling is mostly acting… but is it? And when does a stance become a pose?