Yerbury Fine Art Nude Masterclass

I’m just back from a very enjoyable shoot with a photographer and his wife, a couple I’ve visited quite a few times now and love to see. We did some really nice un-posed and natural, expressive nudes (inspired by Jonvelle) in their beautiful house, and it seems a fitting time to now blog about a recent day spent with another husband and wife team.

I love working with Trevor and Faye Yerbury – they produce such beautiful, classy work and are lots of fun to model for, so I was happy to be chosen to model for one of their Fine Art Nude Masterclasses the other day. As always, the photographers taking the course were all a pleasure to meet and seemed to enjoy themselves very much, snapping away with big smiles all round! The location was Pipewell Hall, an old country manor house in Northamptonshire. I was mainly stationed indoors with Faye, making the most of the building’s incredible features and furnishings, while the other model, Zoi, spent the day outdoors in the grounds with Trevor. It was really nice to meet Zoi after we’d tried but failed to meet up in Holland (where she is based most of the time, though she frequently visits the UK still) and we had a good natter over lunch. πŸ™‚ We made a good contrast as photographic subjects; Zoi with her beautiful Greek/’Amazonian’ look and me with a more ‘pre-Raphaelite’/serene style (well, that’s what Trevor said anyway!).

See here for more info on the range of workshops currently on offer by the Yerbury team: http://www.yerburystudio.com/

A few of the photographers attending have very kindly sent me some of their shots from the day. It’s interesting to see some of the different takes on the same poses. I was really happy to give my first airing to my new pointe shoes (ribbons to be sewn on very soon; old ones to be dyed black!) and although I’d only mentioned to Faye in passing that I’d brought them along while she was doing my hair at the beginning of the day, ‘ballet’ ended up being quite a strong theme for my posing, with lots of happy skirt swirling in front of the window. πŸ™‚

These first shots are by Andrea (Pink Lily Photography) – read Andrea’s blog post about the day here:

By Maria Tanner (Lace Market Photography – see Maria’s blog post here!):

By Ian Parry AKA Maximus Operandi:

And last but not least, by Faye:

Zoi and I posing together outside at the end (first shot here by Ian Parry; colour snaps by Faye)

Trevor overseeing all:

Β And a group shot (Zoi and I being silly in the middle)! πŸ™‚

Thanks again to everyone who has sent me shots – it’s much appreciated! And to anyone reading, please feel free to let me know any favourites… Your feedback is always fun to read! πŸ™‚
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In other news, I’ve recently re-jiggled by portfolio on Model Mayhem (click here to go there) – trying to organise it so that, by clicking on the relevant galleries, photographers who are less interested in nudes can see my fashion/commercial/editorial work all in one place without having to wade through all the more artistic shots, while photographers interested in figure work primarily don’t have to wade through shots of me grinning and running blissfully along beaches in sportswear… Wonder if it works well like that as a way to show versatility without having them all mixed up and it looking too eclectic – why not pop over and take a gander?

Sunday: three little updates

Hello all! Hope you’re enjoying your various weekends. I’m having such a nice one – went to not-one-but-two birthday celebrations yesterday daytime and evening and had lots of fun (though it meant I was unable to go to another friend’s shindig/Paradise Garden fest in London or a festival my boyfriend had threatened to take me to in France (but we couldn’t really make it in the end anyway)… All very triple-quadruple booked, and I’m normally no way near this popular, but it’s funny how things all seem to happen at once!!) πŸ™‚ Meanwhile, I’m just dreaming of a chance to go and see the new Ice Age film! And watching the final tonight!!! I am GUTTED that Germany did not go through, and will now have to support my third favourites, Spain (but am still deciding!).

So anyway, today is very leisurely and has consisted so far of finishing the novel ‘One Day’, which I loved, procrastinating wildly about doing the next section of my online course, failing spectactularly at replying to emails yet so far (though it is technically the weekend!). Excitingly, though, I hope to finish putting together a book I’ve been working on for a while now, featuring some of my favourite photographs (of myself; vain I know, but I really want something to remember all this by!!). Cannot wait to check the first copy and see it in print!!

So in amongst all this faffing and procrastinating and getting-things-done (I also intend to dye my old pointe shoes black, sort out my accounts/tax, acknowledge the fact that I need to address the monumentally boring task of choosing a new phone as my contract is about to run out, sort out my diary for Sept, Nov and Dec (when I am available for bookings, should anyone be interested!), and maybe even take my chihuahua for a walk/jog, I thought I’d top up my blog with a few stand-alone shots from recent times.

By Steven Billups, whose images I love and who I will be working with again this month in Germany. (Shot taken in an extremely BOILING part of Mexico; we didn’t last long out there):

By Max Operandi, who also shot me after this summery shoot at a Yerbury workshop a short time later; I’ve seen some of his shots from both, other than this one, and I think they are amazing. Can’t wait to show off more as soon as I can.

And a charcoal by Kristian Mumford, an Australian artist who used a shot by Christopher Ryan (with permission) for the basis of this work. (See images by Christopher Ryan from our shoot here: Lynn Creek Canyon). Kristian plans to create a whole series of artwork using my modelling images as inspiration, which is rather nice!

Trees and Bicycles!

I was booked recently to work with MaxOperandi and his friend Jules, on the grounds of Ian’s friend’s incredible country house. Despite Jules’ already accomplished portfolio, this was her first introduction to nude figure work and we worked exclusively with natural light (the weather was beautiful!! No shivering necessary!) and reflectors. I think these are some fantastic natural images, and along with Ian’s vintage bicycle (I also spent time up in a tree house, standing in a water feature and balancing in branches, which left me with bad scratches which miraculously disappeared somehow the next day!), there is a very ‘darling buds of May’ feel to this sunny set, which I love! I always wanted to be Mariette. πŸ™‚

Β (There is a serious waist-hip ratio going on above; I wasn’t sure if it was flattering at first, but I decided I like it. :-))

Let me know if you have a favourite!

Veils

Hello!

The busyness continues and I’ve had some brilliant shoots recently at Eye for An Image Studio, with my partner in crime Ivory Flame, the results of which have been popping up in various places, much to our excitement! I’ll hopefully show lots of those shots soon, and also have roughly 11 million shots queueing up anyway to be blogged, which I can’t wait to display here. I’m also hoping to be back at the studio for a day sometime this summer. Brilliantly, I have now managed to work out how to exit the (thoroughly straightforward) car park (at the business park where the studio’s located) without first driving endlessly around in circles. I am such a total idiot. Especially as once I managed to go out the way I had initially come in (genius! And only once rescued and guided by Martyn Davis, the studio owner, who after saying our goodbyes found my confident veering off in the 100% wrong direction a little odd), I then tried to drive the wrong way down a one-way road. All still without having left the business park (thankfully; no one else was around to particularly inflict my idiocy on). There are no words for how ridiculous I am.

Shaking our heads and moving on… Tomorrow I’m off to Dublin for three nights for some outdoor landscape nudes – pleeeeeaaase can the weather stay this good? Today I tore myself away from admin/packing/general guilt and apologies for being behind on emails (as much I try, and trust me, I really do, I am never quite on top of things) to go for lunch at an Oxfordshire pub by the river, watching the punts go by…. bliss!

These four shots were taken by Stephen Phillips at Barrie Spence‘s studio in Livingston during my tour to Scotland earlier this month. Editor-in-Chielf of Parasitology and Partick Thistle Supporter, Stephen has led a very interesting life so far, contributing to the research of diseases such as malaria, and was very nervous before our shoot, he said, but I think these shots are lovely!

Tulips and Me!

OK, supposed to be going out now and running late – I am so busy at the moment, and recent shoots have involved being up tree houses, riding a vintage sit-up-and-beg bicycle, posing in water, being a bride (today!), balancing in trees… I’m definitely feeling at the upper limit of my comfortable level of modelling busyness at the moment, with hardly a day off, but you’ll notice I remain a blogging addict. There are so many beautiful shots coming in my inbox – I love it! But yeah, I’m keeping this post briefer than planned.

On the way to my shoot with Jan Doef in Holland, my jaw dropped at these daffodil fields and Jan kindly suggested we pull over so I could take some photos! Sooooooooo beautiful!!! I’d never seen anything like this before.

Tulips:

Me:

Β 

I think Jan did a brilliant job on the black and white figure nudes in particular – luscious smooth lighting!

Over and out for now!

Postcards – an exhibition

As some of you will know, I am in love with the ‘Zen Habits’ blog, and when writer Leo Babuta featured the quote

~β€˜Begin at once to live, and count each separate day as a separate life.’~

at the top of today’s post I couldn’t help but scribble it out and add it to the mounted collection of phrases and art postcards (picked up from galleries/museums) hanging above my desk. One of my all time favourites is ‘Creativity is unexpected connection’ – I think it applies so well, and so surprisingly, which is fitting, to many different areas of life! I also have ‘The big secret is the ability to stay in the room’ above Holbein’s Erasme Γ©crivant.

My board of postcards was originally inspired by a similar one which hangs in the bathroom of a painter I spent a year modelling for, who is exhibiting later this week (9th-26th May) at Messum’s on Cork Street in London.

You can find information about Robbie Wraith‘s show here and browse the artworks which will be on display here. I will definitely be going once I’m back from Scotland to look at some I haven’t seen before – over the course of a year, there amassed quite a few!


It seems a fitting time to reflect on my first ever experience of art modelling when I am, three years later, busier than I’ve ever been, being sent booking enquiries so frequently I can hardly keep up, and so incredibly lucky that I am offered work in different countries across the globe that I am able to travel and see so much. I am so grateful! Upcoming trips include Scotland, Ireland, Germany, Paris, Cornwall/Devon, Stockport and more, plus a possible booking in a part of the world I would perhaps never have the opportunity to visit otherwise (but I won’t mention before it’s confirmed just in case), and from October onwards I am planning some international travel that will take me to some exotic locations, similar to last year (but different places!). I’ve updated the ‘travel’ gadget on the right hand side of this blog, to let anyone interested know about a few forthcoming trips.

Anyway, back on topic, I really fell on my feet with this first foray into posing – Robbie’s talent is extraordinary and the whole experience influenced my first novel hugely. At age 16 he was invited to study in Florence under Pietro Annigoni; since then he’s painted the Queen, Nelson Mandela and accompanied Prince Charles around Africa as travelling artist, and had works displayed in the Vatican amongst other places.

Here are some things we did, available to see at the show in London (click on the images to enlarge them):

Profile
Oil on panel
40.6 x 31 cm (16 x 12 1⁄4 in)

(I absolutely love this painting; as well as being brilliant, hey, why not just paint 29 other famous paintings from history??! Might as well… And the postcards are so cleverly positioned!)

Portrait Study I
Red chalk
30.5 x 23 cm (12 x 9 in)

Yvonne
Pencil
25.4 x 20 cm (10 x 7 7
⁄8 in)

Study, Black Veil
Charcoal
45.7 x 33 cm (18 x 13 in)

Figure Study V
Charcoal
25.4 x 46 cm (10 x 18 1⁄8 in)

Blank Canvas I
Watercolour
30.5 x 41 cm (12 x 16 1⁄8 in)

Contraluce
Watercolour
30.5 x 40.6 cm (12 x 16 in)

… And here are a few more of my favourite paintings by Robbie Wraith, also to be found at Messums…Β 

Alexandra
Oil on panel
30.5 x 17.8 cm (12 x 7 in)
(An amazing portrait of a friend of mine; Hello Alex!!)

Artist & Model
Oil on panel
18 x 30.5 cm (7 1⁄8 x 12 in)

Bougainvillea, Rajasthan
Oil on panel
14 x 20.3 cm (5 1⁄2 x 8 in)

Hanging by a Thread
Watercolour
30.5 x 40.6 cm (12 x 16 in)

Β Mr. Wraith’s Footsteps
Oil on panel
22.9 x 31 cm (9 x 12 1⁄4 in)

Lungarno Corsini, Florence
Oil on panel
22.9 x 31 cm (9 x 12 1⁄4 in)

Palazzo Corsini Gardens
Oil on panel
20.3 x 25.4 cm (8 x 10 in)

Leica, Bird on a Wire
Oil on panel
20.3 x 25.4 cm (8 x 10 in)

Puppet Shop, Rajasthan
Watercolour
21.6 x 30.5 cm (8 1⁄2 x 12 in)

The Frome below Wareham, Dorset I
Watercolour
21.6 x 31 cm (8 1⁄2 x 12 1⁄4 in)

Twenty-Seven Afternoons
Oil on canvas
76.2 x 122 cm (30 x 48 in)

(This painting formed the majority of the view during much of my own modelling; I love the position of the wrist.)


If you like what you see, drop by the exhibition sometime!

Portraits, Box, Stripes and Lightning

Tonight, a massive medley from the marvellous Eric Kellerman!
First, a test shot in (well, mostly out of by then) Eric’s robe, plus some portraity things:Β 

The infamous box – an honour to step in this small, equilateral theatre.

A beautiful bodyscape that seems to have slipped through the net of my previous post ‘Strength in the Dark’. Hip bone glory:

Then some joyful striping around. I love this effect – so amazing, especially when in the mix with some curly stray locks lolling around in front of flesh and playing shadow games.

(I think I manage to look a bit ‘eighties’, skeptical and sulky all at once in a few of those stripy portraits above. Brilliant!)

Thanks Eric! …And as always, if any of you readers have particular favourites, etc., do let me know! I always love to hear from you.
…So yeah, I know it’s totally inappropriate, but something about the stripes (and the fact that this particular fancy dress theme came up in conversation this evening when out with some friends) is making me want to leave you with some images from 2007 taken on a university pub crawl… We were the coolest kids in Nottingham that night, let me tell you. (There were seven of us and our feet were tied together for the majority of the night. Tricky manoeuvres all round.)

Hello Bowie friends, if any of you are reading this!