Sunday: three little updates

Hello all! Hope you’re enjoying your various weekends. I’m having such a nice one – went to not-one-but-two birthday celebrations yesterday daytime and evening and had lots of fun (though it meant I was unable to go to another friend’s shindig/Paradise Garden fest in London or a festival my boyfriend had threatened to take me to in France (but we couldn’t really make it in the end anyway)… All very triple-quadruple booked, and I’m normally no way near this popular, but it’s funny how things all seem to happen at once!!) 🙂 Meanwhile, I’m just dreaming of a chance to go and see the new Ice Age film! And watching the final tonight!!! I am GUTTED that Germany did not go through, and will now have to support my third favourites, Spain (but am still deciding!).

So anyway, today is very leisurely and has consisted so far of finishing the novel ‘One Day’, which I loved, procrastinating wildly about doing the next section of my online course, failing spectactularly at replying to emails yet so far (though it is technically the weekend!). Excitingly, though, I hope to finish putting together a book I’ve been working on for a while now, featuring some of my favourite photographs (of myself; vain I know, but I really want something to remember all this by!!). Cannot wait to check the first copy and see it in print!!

So in amongst all this faffing and procrastinating and getting-things-done (I also intend to dye my old pointe shoes black, sort out my accounts/tax, acknowledge the fact that I need to address the monumentally boring task of choosing a new phone as my contract is about to run out, sort out my diary for Sept, Nov and Dec (when I am available for bookings, should anyone be interested!), and maybe even take my chihuahua for a walk/jog, I thought I’d top up my blog with a few stand-alone shots from recent times.

By Steven Billups, whose images I love and who I will be working with again this month in Germany. (Shot taken in an extremely BOILING part of Mexico; we didn’t last long out there):

By Max Operandi, who also shot me after this summery shoot at a Yerbury workshop a short time later; I’ve seen some of his shots from both, other than this one, and I think they are amazing. Can’t wait to show off more as soon as I can.

And a charcoal by Kristian Mumford, an Australian artist who used a shot by Christopher Ryan (with permission) for the basis of this work. (See images by Christopher Ryan from our shoot here: Lynn Creek Canyon). Kristian plans to create a whole series of artwork using my modelling images as inspiration, which is rather nice!

TWO ~ Ella Rose & Ivory Flame

Hello! I’m just packing all my fancy things (lingerie, dance-y bits, fashion and interesting accessories) and squeezing in another quick blog post before my jam-packed (with shoots, not jam) Sussex trip (Surrey tomorrow, then Brighton and east Sussex before a studio day at the popular Cottage Studio – there is some time remaining on Thursday afternoon: see here for details and to book some time with me last minute or email me at ellarosemuse@live.co.uk!).

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It’s always so nice to work with other models, and the beautiful Holly (Ivory Flame) and I, although different in height/build, always seem to gel so well together in look and mood. We have so much fun working together, giggling all the time and having bizarre little half-conversations to assimilate our poses as we’re moving around. One of the best blurted lines ever was ‘Did you see that fawn over there?’ (well, any dreamy faces and mythical expressions are based on stories going on in our collective head!), and there is a running theme of elbows and hair inhaling. Recently (on a completely different shoot, I announced with whispering confidence that I was going to do ‘waterfall arms’ for the next click. Holly knew exactly what I meant, and immediately worried aloud about how she would compete with such promise(!), which made us both collapse in hysterics and get a great outtake shot from the photographer at the time. (The outcome of my waterfall arms is yet to be seen; I never had to prove myself.) Hhhm, I wonder if I’ve just shattered some illusions by exposing the utter nonsense going through our heads when we pose sometimes. Nevermind.

ANYWAY, the theme for our two consecutive days at Eye for an Image studio in Banbury was ‘goddesses’, the thought being that it might inspire some varied and creative ideas about what to do with two girls. I find that photographers have to think differently about shooting two models at once, and from our point of view the expressions and body language are all important; sometimes the focus is on shapes and intertanglement (probably not a word) and sometimes more about narrative and storytelling, or gentle sisterly togetherness.

….Here are a few of the images I’ve been sent (with thanks to the photographers for working with us!):

From Karen Jones (Thunder and ‘Sun Goddesses’):

From Stuart Thomson (classic curves and shadows) (this shoot lasted literally two minutes at the very end of the day; job done):

From Chris Lloyd (interaction, shapes and… hindu deities! …Although I’m a Christian and in general very much avoid ‘religious’ themes, I think the last shot here is pretty fun and funky!):

Hope you like them! There are more shots from other photographers and some beautiful things floating about on the internet… hopefully coming soon! 🙂

White on Black

Four new images from a recent shoot in Dusseldorf with Klaus Kampert, who booked me recently for his ‘curvy white nudes on black’ project and has kindly sent me some of the results. Klaus is an excellent photographer and known for the precision with which he often requires his models to work. It is difficult and physically challenging to appear through the lens as though one has misplaced particular limbs (or hands or feet), and requires the holding of strange and uncomfortable, off-balance positions while being meticulously directed millimetre by millimetre. But Klaus’s creativity and passion, plus his interest in the musculature, structure and workings of the human body (his route into fine art nude photography is telling), made this shoot inspiring and fun – and his wife made the most delicious blend of green and black tea, which I gleefully devoured throughout the shoot, of course! I really hope to work with Klaus again sometime next time I visit Germany.

Déjà vu

More from the marvellous Britalicus!

I love the movement in these. A couple of them remind me of stills from Afro-Caribbean dance (which I flippin’ LOVE). To explain my point, you must first watch this youtube video of the incomparable Beyonce (yes!!), in which she starts utterly freaking out at 2mins50secs-ish… That dance sequence is the freest thing and just makes me wanna go back to the carribean coast of Costa Rica and wiggle my butt off. Sorry if you hate her – I can only criticise her lyrics; everything else I have for her is adoring love, loyal since her girlband diva days.

In other mainstream female singer news, Emilie Sande’s album is BEAUTIFUL.

In other other news, and only because I like to make the most of the punning potential and multiple themes of any blog post titles I write, I’m officially writing again after a long-ish break, since a massive chat with my Dad (the most intelligent, critical and widely-read man in the world) enabled me to see new plot routes for the novel I’m working on at the moment. 1502 words this morning. And one of my characters has a big problem with déjà vu. You saw it here first.

Extreme Eiffel Tower Exploits, Etc.

Hello!

I’m writing this from my hotel in Manchester, where I’m poised for a magazine shoot tomorrow, and taking some time to catch up on lots and lots of things, including reading inspiring blog posts about creativity like these, and writing this blog post, which I’m excited to show you!

I was lucky and spoiled enough recently to be taken again to Paris by photographer J H (see previous entries here and here). It really was a bit of a whirlwind, and since the idea was that we’d spend two nighttimes shooting, we were free to sightsee all day around Paris on the day in between (and although I was free to book further shoots in the area, I thought it would be nice to have the day to wander around and look at stuff instead!!).

On the first evening, post Eurostar, I met J for dinner before travelling around on the metro (to the accompanying sound of the accordian; this is one of my all time favourite things about France; it really is so unashamedly French) towards Montmartre, to revisit a spot we’d worked on before. Voilà:

(Above is J’s shot of le Sacre Coeur, taken on one of many runs up the stairs to check the status of passersby; below, me in le French mac, then less so:)

The plan was basically then to walk around and try desperately to get enough privacy (in the most popular city in the world…) somewhere with an interesting background. I have a thing about cafés (though I didn’t indulge in a macaroon during this trip), and thought we just had to use this place. And I’m bossy. I love the zebra crossing in the frame, too. The staff were just closing for the night, and we had to be quick not to let them steer their wheely bins in shot…

On day two, we went to la Musée d’Orsay to see the current Degas exhibition, which was brilliant! What an amazing place. I bought a really cool poster, plus a set of 6 monet coasters and some Degas/other postcards to boost my, er, coaster and art postcard collections. 🙂

Unfortunately, France hates vegetarians, so what could have been an entire day spent browsing the jaw dropping, inspiring and mesmerising (if there’d been time), with just a quick stop in the cafe there, was necessarily cut short by the urgent desire to eat lunch. Ah well, I hope to go back at some point; and we did manage to see quite a lot!

Next on the agenda, after dinner (yeah, basically day time was spent eating and looking at stuff, and also napping after the late shoot the night before) we went to the Grand Palais, which is currently hosting an exhibition of Helmut Newton’s photography. Lots of food for thought and inspiration! The highlight was the video, made by Helmut’s wife, with behind the scenes footage and some hilarious fly-on-the-wall scenes. Best quote ever comes from Helmut arguing with her (after she notes how fortuitous it is that a model has semi-blinked in one of his images, lending a narrow-eyed, sultry, moody feel to the image): ‘You’re doing it again. Belittling me. I told her to do that. It is my direction that makes her mysterious and wonderful.’ (Or words very similar. Love it.)

After that, aware that Paris is still full of tourists and couples strolling around its streets at 10pm, we went to the Crazy Horse, which was quite an experience!!

And finally, we did some shots in front of the iconic Eiffel Tour. Surprisingly enough, this wasn’t actually planned, but I’m so glad we did it! I think these shots will currently hold my record for ‘crazy things done in the name of modelling’; I am certainly not the first model to have posed there, but it’s still a bizarre, exciting and pressure-filled few minutes (we didn’t have longer than that really; and even then we couldn’t escape the tourists, lazily-strolling locals or taxi drivers, some of whom gave me a thumbs up sign mid-drive… and the pressure was on for J who had to control focus in low (street lamp only) light). We certainly didn’t set out to be seen; we did everything we could not to be, waiting for what felt like hours for those precious gaps in the stream of people, but in the end it just seemed impossible and we had to just go for it or always regret it. I can say that modelling nude in front of the Eiffel Tower (and, to a lesser-but-still-considerable extent, in front of the café the previous night) is a sort of ‘out of body’ experience. It’s a very odd thing to do. But the structure, power and beauty of the Eiffel Tower, especially lit up so majestically (and I have to mention that at night, the tower’s illumination copyright goes strictly to Pierre Bideau), made a wonderful posing partner and some images I’m proud of! And just look at the moon (copyright Moon)!

Trees and Bicycles!

I was booked recently to work with MaxOperandi and his friend Jules, on the grounds of Ian’s friend’s incredible country house. Despite Jules’ already accomplished portfolio, this was her first introduction to nude figure work and we worked exclusively with natural light (the weather was beautiful!! No shivering necessary!) and reflectors. I think these are some fantastic natural images, and along with Ian’s vintage bicycle (I also spent time up in a tree house, standing in a water feature and balancing in branches, which left me with bad scratches which miraculously disappeared somehow the next day!), there is a very ‘darling buds of May’ feel to this sunny set, which I love! I always wanted to be Mariette. 🙂

 (There is a serious waist-hip ratio going on above; I wasn’t sure if it was flattering at first, but I decided I like it. :-))

Let me know if you have a favourite!

Veils

Hello!

The busyness continues and I’ve had some brilliant shoots recently at Eye for An Image Studio, with my partner in crime Ivory Flame, the results of which have been popping up in various places, much to our excitement! I’ll hopefully show lots of those shots soon, and also have roughly 11 million shots queueing up anyway to be blogged, which I can’t wait to display here. I’m also hoping to be back at the studio for a day sometime this summer. Brilliantly, I have now managed to work out how to exit the (thoroughly straightforward) car park (at the business park where the studio’s located) without first driving endlessly around in circles. I am such a total idiot. Especially as once I managed to go out the way I had initially come in (genius! And only once rescued and guided by Martyn Davis, the studio owner, who after saying our goodbyes found my confident veering off in the 100% wrong direction a little odd), I then tried to drive the wrong way down a one-way road. All still without having left the business park (thankfully; no one else was around to particularly inflict my idiocy on). There are no words for how ridiculous I am.

Shaking our heads and moving on… Tomorrow I’m off to Dublin for three nights for some outdoor landscape nudes – pleeeeeaaase can the weather stay this good? Today I tore myself away from admin/packing/general guilt and apologies for being behind on emails (as much I try, and trust me, I really do, I am never quite on top of things) to go for lunch at an Oxfordshire pub by the river, watching the punts go by…. bliss!

These four shots were taken by Stephen Phillips at Barrie Spence‘s studio in Livingston during my tour to Scotland earlier this month. Editor-in-Chielf of Parasitology and Partick Thistle Supporter, Stephen has led a very interesting life so far, contributing to the research of diseases such as malaria, and was very nervous before our shoot, he said, but I think these shots are lovely!