I love these shots by Richard Tuckett – so fresh and airy and somehow ‘shabby chic’ in processing; perfect for this time of year when the sun keeps teasing us with its presence and filling the days with light and hope!
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Costume changes!
I love these shots by Mike Croshaw, taken recently at a studio day (its first!) at Cheltenham FilmPhoto Studios. Considering we only had a two hour slot together, and quite a bit of the beginning was taken up with me having to be laced into my wedding dress (I doubt any bride ever had to dress herself…), I think it’s impressive how much we got done. Here are a few from our session together. Very much looking forward to working with Mike again sometime. And for anyone interested in trying out the studio, I’d recommend it and can get you a good deal!
I’ve not really done ‘pin-up’ before, but Mike wanted to give the theme a try with me and I really enjoyed playing the part of a 50s cheeky-grinned starlet. I’d love to give pin up a real go, actually – I think it could possibly suit me quite well. Thanks Mike for choosing something fun and new to shoot with me!
This next shot has featured here before, but in the interests of comprehensiveness (of themes covered)… Gorgeous lighting and soft pastel hues:
I happened to have brought my brand new Asian bridal saree along with me to the shoot, in hopes of shoe-horning it into a session… I think it’s so stunning – I really really love ‘World’ costumery and I love India in particular so much. I spent some time there a few years ago (mainly in the north) and have been aching to go back ever since. Every year I tell myself it will be THIS year. I think it’s such a beautiful country, and I love how brightly coloured the women’s clothing is, as well; fanciful decoration and ornate, intricate beading is everywhere, and there is no such thing as too much adornment. It’s impossible to take a bad street shot there! Mike and I think a plainer background would probably have worked better for this shot (or I would love to shoot with it in a grand house, with the full works!), but for the garment’s first airing I do love this.
Below is a composite image in a classical ‘Old Masters’ style, which is a theme more traditionally suited to my strengths…
A celebration, some wedding princessing and some Lions (and a monkey)
Hello!
Thank you all so much (those of you who have commented on my facebook wall and sent me messages; you know who you are!) for my birthday wishes for yesterday! I had such a nice day and it very surreal racking up so many good wishes on my facebook notifications – I felt very popular, haha! Seriously though, it’s so appreciated and really reminds me how nice it is to hear a ‘happy birthday’ from people even when you haven’t heard from them in a while and that I must always remember people’s birthdays myself!
Today’s post is going to involve a series of tenuous links.
First, I will tell you about what I did yesterday… I went to visit the Wildlife Photographer of the Year exhibition at the Science Museum in Oxford in the morning. Some really impressive shots and the staff member on the desk was so chatty, telling us all about the various controversies, and the artists who’d visited and what they’d said about other photographers’ work… I really loved one shot of a white bird lifting out of the water, with it’s emerging wings spread in blurry motion. It looked so ethereal and beautiful! LOVED the polar bear too, plus lots more. Had a delicious light lunch at a lebanese restaurant afterwards avec some borrowed (must order it myself next time..) sugary mint tea.
After that I had my traditional family tea and cake ceremony in the afternoon – fodant fancies featured heavily, as always.
Then at 4pm I was taken to London and got there for an early dinner (really tasty veggie burger of portobello mushroom, baby spinach and goat’s cheese) and courgette fries at Byron Burgers in Covent Garden, before (feeling we might explode) going to watch THE LION KING at the Lyceum Theatre!!!! I had been wanting to go and see this for years and years, and occasionally, when I remembered the lack of it in my life, had a little moan… so it was a masssive treat and something I’d really really built up in my mind, so much so that afterwards I announced ‘It’s amazing that it didn’t disappoint me at all’, which my friend said was hilarious and should probably go on their poster… Haha (oops). Seriously though, the moment I left the theatre I wanted to just go back and watch it all again!! From the first second of the show, with the characters hurtling down the aisles to the stage while the most incredible powerful music seared into my ears, I was spellbound and genuinely a little bit teary. And then the creativity and ingenuity of the set designs, the use of space and the way they showed the passage of time, the sunsets and silhouettes, balletic gazelles, giraffe men on stilts, the elephant, costumes and colour, were all so utterly jaw-droppingly mesmerising. My favourite aspect of it by far, though, was definitely the call and response singing. After I come back in my next life as a Lebanese/bellydancer/Columbian/Shakira hybrid, I think I’ll come back as a big African mama, singing magical heart-stopping soulful Savannah tunes*. Ha. Rafiki, basically; the crazy wise lady with the staff, who tells Simba to ‘look into himself’ to find his father, and teases him into going back to reclaim his Lion-y throne and sorting out the hyenas and marching slinkily and powerfully back up Pride Rock. Aaaaah. π
* Joke. Pretty sure we only get one chance at things, and sadly, I’m lily white. I did once get cast as a lion though (for hair reasons) in a school performance of Pyramus and Thisbe. My friend played the wall.
Anyway, I will be adding to my ‘White’ website gallery soon with some gorgeous new wedding images. There is a bit of a medley below!
Shot by Mike Croshaw at the brand new Cheltenham Film Studio. We did so many different styles in two hours (including pin up!) which I will hopefully show soon:
These were taken by Sabel Gonazalez recently around the centre of Oxford. The male model is the lovely and handsome James Pike, hair stylist Nikki Wright and make up artist Laura Pusey.
Handbags and Gladrags
These shots come from a very short session I did with photographer Sabel Gonzalez for a client wanting to display the handbags she sells. Bags available at www.ladytori.com. I like the green one. π
Forest-y Fashion
The edge of the world
Wow, if Carlsberg made photographers, they’d come in the shape of Chicago-based Billy Sheahan. I appreciate and enjoy all of my shoots and often forge friendships with photographers when things have gone particularly well and repeat bookings are made often, but there was something about this shoot that was really special for me.
Billy picked me up from the airport in Mexico after I’d flown west from Mexico City (a place I can’t wait to visit again), and drove me towards a week of intense creativity. Billy was the first photographer who’d booked me for a shoot, and we found the most sublime beach, early in the morning, totally empty. We had to walk through various exotic trees and cacti to find it and when we first glimpsed it, we couldn’t believe how beautiful it was. So perfect and serene. It was so quiet, too, and the whole thing felt like such a privilege.
Billy is one of my favourite photographers ever. He is such a kind, jolly, positive person that is so much fun to be around. He was, as he called himself, the ‘model taxi’; carting us around to grocery stores and to and from meet-ups in his hired car. He even drove us and waited patiently while some of us browsed (slowly) a Mexican charity shop (I think ‘thrift store’ was the correct term; I bought some particularly eccentric black and white geometric-patterned trousers), looking for Halloween costumes. He crashed his car (well, ‘crashed’ is unfair; it was a tiny tiny bump) and got over it in half a second. He is always smiling and incredibly open to the moment, which was why this, Billy’s first real outdoor-location model shoot as I think he told me, was so successful and such a joy.
I know I sound like I’m gushing, but I just felt so incredibly FREE during this shoot. Billy just left me to prance about along the shore line, in and out of waves, jumping off rocks and strolling around in front of his camera. He was a fair distance away for a lot of the shots, and took millions of frames, hoping to catch the ‘moment’ of whatever I was about to do at any given time, since we couldn’t really communicate well in the conditions. So in some ways I felt, for a lot of the shoot, like I was alone in nature, just experiencing the place in all its head-knocking beauty. I’m so grateful for Billy for allowing me to feel that way, and for framing so much open space in many of the shots that reflect that state of mind. Looking at these shots makes me feel so happy.
Billy has written very eloquently about our shoot here and here. Please do read what he’s written – it’s so nice and really sets things in context!
Yes, there will be some monochrome/colour indecision. I love the blues in the ones looking out to sea!
Click to view them large (you’ll need to; I’m kinda tiny in some of them), and please let me know your favourites!
Ceci n’est pas une pipe (‘The Treachery of images’)
What is an image is only ever an image. That was the point made by Belgian artist RenΓ© Magritte in 1928/9, who painted a picture of a pipe and wrote in large letters underneath ‘Ceci n’est pas une pipe’. The painting is a representation of a pipe, not an actual pipe itself, hence the negative caption given.
Furthermore, any image of Magritte’s favourite pipe painting found by googling ‘Magritte Pipe image’ would only be a digital representation of that painting and not the actual painting itself…
Anyway, it’s a little joke photographer Mark C Haskins wanted to play with and refer to when photographing me and a few other ladies. He gave each model a pipe (a real one) and photographed what we did with it. Mine is above and you can see others in a slideshow video here.
It was fun to work with Mark in Mexico after failing to align our schedules in Germany previously. I remember laughing with him over an Eddie Izzard sketch – no idea how we got on to that!







































































