I love images which show movement blur – to be honest I’ve never been a huge fan of the ‘stop motion’ school of photography. I much prefer to move around like a mad thing and hope some kind of shutter release makes some kind of cool ghostliness happen. The following (very experimental) images were taken as part of the second shoot I did with Keith Cooper at Cheltenham Film Studios. I think they’re really cool – I’m barely even in some of them, so they’re nice and ‘anonymous’. I love the bright freshness and vibrancy of the colours in the first few, then the muted, soft, pale hues in the second lot. The piece of silk fabric I’d brought along (hand-dyed from Cairo, dontchya know) looks a bit like flames, flying up in sultry licks.
Here we are then:
We also did some Roman/Greek/Latin-esque images against a be-lettered piece of fabric Keith had brought along to use as a background, avec grapes and some of my be-coined dance pieces. A productive shoot!
…was the theme of my fourth shoot with Jeremy Howitt. I seem to have produced some of my favourite images with him and, in general, seem to love any opportunity to agree to throw myself into water and pretend to be a mermaid and/or nymph. These were taken during a leisurely two-hour early-evening shoot in East Sussex last weekend. People say it’s ‘brave’ to get in water for shoots like this, but I think if the worst thing that happens to you in a day’s work is that you get wet/dirty/cold while floating around pretending to be part of a mythical story, and you get beautiful images to show for it, you don’t have much to complain about. Jeremy wanted to aim for something reminiscent of Waterhouse and Millais, an admirable aim in my book. The reflections in the water worked so well for a dreamy, painterly feel. For the first few, I have to admit I was imagining myself as a princess searching for a little frog to turn into a prince. When in doubt, my mind reverts to whimsy.
Thanks Jeremy – looking forward to the next one! 🙂
The following shots were taken by Keith Cooper at a location (half an hour away from my house in Oxfordshire) which manages to combine the romantic 15th Century ruins of a manor house, a river and woodland – perfect for Keith’s interest in pre-Raphaelite and historical styles. I’ve got two more shoots already booked in with him, so I’m looking forward to seeing what we come up with next!