Front cover – Practical Photoshop

I’m currently on the front cover of the very first issue of ‘Practical Photoshop’, a new magazine full of tips and know-how for the more digitally-inclined photographer. It looks like it’s a brilliant magazine, so I’m proud to be on/in it. Below is the cover, plus some of the (many) pages I’m shown on. It’s out now – go get it (if you want it)!

I think I’ve been neglecting the more ‘commercial’ side of my modelling over the last year or so. I have got some absolutely brilliant artistic/figure nude projects coming up between now and the end of the year which I’m really excited about, and I’m proud of my artistic portfolio and how far I’ve come since I started 2.5 years ago, but I’d like to redress the balance between my ‘art’ and ‘commercial’ modelling too. I suppose the best way to do that is to show more images of me in a commercial setting, so people know that I can do it just as comfortably as the artistic stuff. It’s fun to give a big grin to the camera and be light and happy for lifestyle shots and to have these two very different prongs to my modelling… spike. 🙂

Sunday ‘me time’

I meant to show these a while ago, and I think they make a nice contrast with some of the recent images I’ve blogged here. The following were taken on film by Tony Ornstien, who booked me quite a few times late last year (read a previous post here). They’re very relaxed and almost candid (I was genuinely quite engrossed in the magazine I was reading) and not at all ‘try-hard’ or overly posed, which I like.

Diamante and Pearls, Ribbon and Ruching, Beads and Blushes

I know, I know, it’s been ages since I’ve updated! I’ve had a lot of exciting shoots recently but am reluctant to post without the images – hopefully I’ll be able to remedy this soon!

Anyway, I was lucky enough to be asked recently to model for the new 2011 collection of Chanticleer wedding dresses, each made by the extremely talented bridal designer Tracey Salt in Cheltenham. One look at the Chanticleer website and I knew this would be a wonderful day; the dresses are exquisite.

We shot at Badger Farm, having stayed over the night before in the cottage. It was such a varied, beautiful location; the views all around were amazing (as you can see in one of the images below). It was a brilliant case of everyone pulling their weight and doing their bit; 2 models and 18 dresses to get through in one day (11 hours!), all with different hair and make up, and each needing help to get into and out of each dress, trains carried for walking outside between locations, beautiful shoes carried until the last moment for minimal mud-sinking, fluffy robes held to be thrown on between sets (there was a very cold wind on the day!)… We were well looked after! All in all, the shots below are due to the brilliant teamwork of the following:

Designer: Tracey Salt (Chanticleer)
Assistant: Natalie Russell (Chanticleer)
Photography team: Chris and Claire Hanley
Make up: Hannah Raison
Hair: James
Beautiful and lovely other model: Rachel Hetherington
Thanks also to Liz Parker, Tracey’s mum, and for the gorgeous jewellery and shoes (which I don’t have a link for but may be found via the Chanticleer website).

The theme of the collection is ‘Back to Nature’. Each of the 18 dresses is named after a fairy. Cute or what! Here are the 9 dresses I modelled…









If you like what you see and are feeling bridally inclined, you can visit visit both Chanticleer and Chris Hanley Photography at this year’s National wedding Show at the NEC, from October 8-10th October.

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Behind the scenes… 🙂

 The Eeyore robe I fell in love with. WARM:
My mug:
 The princess dress, Oriana (Hhm, earring still with its tag on):

Tracey (designer) getting rather hands-on with my underskirt… I love my face in this. I don’t think I’m totally sure what’s happening to me.

‘Get me to the location on time!’

Commercial/lifestyle with Chris Rout

I’d be meaning to work Chris Rout for over a year before I finally got around to it. I needed some lifestyle shots for my commercial agencies and have always admired the incredible way Chris captures light; his work is so fresh and natural, which was exactly what I needed, so the 5-hour trip (each way) to Middlesbrough was well worth the time and effort. I couldn’t believe how quickly he worked. We got through over 20 sets, I think, with many of them finished within just 3-4 shots! Chris also needed some natural-looking stock styles (many of which I haven’t included here), so it was a great exchange.

Also, in case you missed it on my rather smug (sorry!) facebook status (page here), the hotel I stayed in before the shoot had a cancellation and I was offered a free upgrade to an enormous room with two beds (one being a double four poster), gorgeous antique-looking furniture and a stained glass bay window. Brilliant! I hardly ever stay in hotels, so it’s always quite a novelty anyway.

Back to the images. I won’t lie, there’s a lot (A LOT) of cheese here. Good, wholesome ‘don’t you just love life?’ stuff… Brace yourselves!

(… And as you can see, I’m struggling to limit these down to just a few favourites. As the whole idea of commercial/lifestyle portfolio shots is for the potential client to see what you would look like in a given ‘scenario’, it’s all about seeing/showing yourself in different ways and from different points of view… So thoughts and opinions are very welcome, as always.)

Kicking off with ‘Casual Ella’:

‘Purple Dress (dangerously close to editorial but not allowing ourselves to go there for more than a couple of shots) Ella’:

‘Health and Beauty Ella’ (including ‘my elbow hurts’):

‘Catalogue Ella’:

‘Hanging out in lingerie Ella’ (kicking off this time with ‘my stomach hurts’/’perhaps I’m pregnant’):

‘Office Ella’ (including ‘let’s talk business’ Ella and my personal favourite, ‘really really excited, office has won the lottery’ Ella):

‘Safari Ella’:

‘Mumsy Ella’:

‘Bikini Frolics’ and ‘Action Ella’:

And ‘Ballerina Ella’:

What a productive day!


A quick post to share some latest images from working with Richard Lund in Karen‘s gorgeous country home (in which I always seem to get lost and forget which way I have entered when it comes to leaving, thus seeming like a madwoman looking for the front door). The theme (you’ve guessed it) was ‘kitchen’.

For the first set, I generally hung out at odds with gravity. Then I watched Karen throw flour over her face for the sake of art. Finally, we turfed Ginge, the cat, most ungraciously off the bed for the last set. Sadly, he didn’t make it into the final images (as far as I know). Next time, Ginge, next time… Really, though, the number of photographer pets I have (accidentally or otherwise) shared a frame with, it’s about time I had some portfolio evidence.

Anyway… here you are!