Fine Art

The Trees…

ERWhittington 8 Comments

…They called me to go and model for Dave Aharonian, and what an honour it was! We were very excited to be able to make stuff together for his Rainforest Nudes project (see his incredible website if you happen to feel like being blown away). I just adore his technique and finishes; the pure quality of it needs to be seen in physical prints. We had 40 frames available and about 1.5 hours. Luckily everything just ‘clicked’. I hope you like these as much as I do.

Any favourites?!

Also, Dave took these on his iPhone a few mins before we left the house:

 …And, just to lower the tone a bit, here are some shots of me on the ferry (also iPhone-snapped – there’s just no escaping it, is there?), documenting the perils of long hair in strong winds. In the last one, I was actually being attacked by my own hair. Nice of Dave to help…


Turning the Wheels

ERWhittington 2 Comments

Sometimes, you’ve just got to cartwheel across the grass. It’s an overwhelming urge, especially when you used to do gymnastics (I spent hours and hours doing ’round offs’ in the garden. Cartwheeling and hand standing always makes me feel about 8 years old).

These were all taken on the Isle of Wight by Mark Davy-Jones, whose whimsical, sometimes ‘twisted’, style of post processing is brilliant, and who I’ll hopefully be working with again at some point next year. Mark and his lovely wife kindly fed and put me up overnight amongst their gorgeous maine coon cats (sadly I failed to entice one onto my bed at night).

I’m modelling here alongside Miss Kayleigh Lush, who you’ll have seen on this blog before. Click to enlarge as always…

The Gentle Fall

ERWhittington

(Note to American readers: this post is not about autumn!)

Some new work from Collin Lyons, who was fantastic to work with; high energy and buzzing enthusiasm. He even made me halloumi salad for lunch before we started, despite my train getting in late. Collin had this enormous piece of sheer fabric, so we played on my apparent freak-ability to throw fabric wildly in the air then pose serenely within the same split-second while it fell in front of my skin. We did this over and over again, fascinated by the range of shots we were getting on the back of camera; each time the fabric did something completely different, depending how I threw it and how it felt like floating, and at what point Collin caught its fall with the click.

Maiden

ERWhittington 3 Comments

This is one of my favourite recent images, taken by Birmingham-based photographer Paul Bartholomew.

The location was a ruined hall in Oxfordshire, which sits by a river and small forest, in which this particular shot was taken. (I hope to show more images from the 2-hour shoot later and have already seen a couple more which I like very much.) The headdress I’m wearing here was kindly donated to me by the styling team at Chanticleer Brides, whose 2011 collection ‘back to nature’ I modelled for last year. I thought it was so sweet they let me keep it, and I’ve been waiting all this time to make the most of it. Below is also a softer make up look than I usually do; warmer hues and almost no mascara, with an emphasis on porcelain/creamy skin which this shot brings out really well, I think!

Please click on the image to enlarge it…

Wings & Rocks in the Land of Pirates!

ERWhittington 5 Comments

Yet another blog entry today, and already a few more ready and waiting in the pipeline… don’t say I don’t spoil you..! 🙂

Today’s offering comes from a weekend trip to the stunningly beautiful West Cornwall I made at the end of June, working with Perry (of Imagesse photography). I am thrilled with some of these images. When Perry mentioned before the shoot that he would quite like some kind of ‘wing’ theme, but wasn’t sure how possible that would be, I immediately thought of Isis wings, which I’ve modelled in and danced with before (they’re an oriental dance prop), and ordered some of my own in time for the shoot. I chose some large silver translucent ones, which I thought would shimmer in the light and look delicate enough to let it through in certain conditions – I personally prefer them to other colours I’ve seen and used before, but you can get them in all different shades to suit your skin tone; traditionally you would match them to the colour of your costume. I love the permanent pleat structure on them, too, which can look a bit like the veins on a leaf (or, er, a wing). As a prop they can be difficult to work with in windy conditions, as they literally feel like they will take flight at times, so balancing in delicate poses isn’t as easy as it would otherwise be. They also reflect a lot of light (which I think is a good thing). I am so pleased with how these came out and think Perry caught some absolutely jaw-droppingly beautiful scenes, some vivid colours and along with the reflections in the water, it was definitely worth the 5.5 hour train journey each way!

When I got off the train in Penzance, I was immediately greeted by pirates. Someone had joked to me previously ‘watch out for the pirates’ but, bizarrely enough, there was well and truly an official ‘pirate day’ celebration, or something going on that weekend. (That’s as much as I could get out of the cute little girl who befriended me as soon as I arrived in the hostel with Perry; she even followed me in to the bathroom, showing me her eye patch and pirate dress, which she was concerned wasn’t a real pirate dress, but which we agreed looked pretty all the same… so I had to give her a task to do, asking her to take my bottle of water to my bag in the reception area, to distract her so I could pee in private. SO cute!). The entire area of Cornwall seemed hungover from the night before, and there was mess everywhere as though a bomb had dropped, and people gallavanting around in costume. Quite a contrast from the serene, natural scenes Perry and I were shooting at!!

Anyway… With thanks to Perry, here are some of the results from a drive around different parts of West Cornwall, from beaches, to rock formations, to stone circles:

P.S. I nearly forgot to thank my ‘support group’, without which I would perhaps not have made it down to the beach in those first shots at all!!!!! In order to get down there, we had to climb/scramble down a very steep rock face. This was nothing for Perry, who does mountain climbing in his spare time (but who admitted the route was more precarious than he’d remembered from visiting the area when he was younger), but for me (in my Diesel flip-flops, as brilliant as they are), it was a little panic-inducing. There were some people climbing up and down the narrow bit who took it upon themselves to pass my bag down to Perry then direct my feet into specific places so I could get down. I said to Perry afterwards that I should just have waited a minute or two longer and they probably would have passed me down between them like a sack of helpless spuds… Hahaha. (I am adding the ‘Damsel in Distress’ tag to this post, I think.) Nothing like a bit of early morning fear to get a good set of photographs. Since then (bearing in mind my backpacking trip later this year), I have purchased some more suitable footwear… All good practise, eh? 🙂

I have, since this shoot, worked with Perry again in another stunning location (to be blogged soon I’m sure!), and hopefully there’ll be a third shoot together sometime in the future!

Ghost & Grapes

ERWhittington 3 Comments

I love images which show movement blur – to be honest I’ve never been a huge fan of the ‘stop motion’ school of photography. I much prefer to move around like a mad thing and hope some kind of shutter release makes some kind of cool ghostliness happen. The following (very experimental) images were taken as part of the second shoot I did with Keith Cooper at Cheltenham Film Studios. I think they’re really cool – I’m barely even in some of them, so they’re nice and ‘anonymous’. I love the bright freshness and vibrancy of the colours in the first few, then the muted, soft, pale hues in the second lot. The piece of silk fabric I’d brought along (hand-dyed from Cairo, dontchya know) looks a bit like flames, flying up in sultry licks.

Here we are then:

We also did some Roman/Greek/Latin-esque images against a be-lettered piece of fabric Keith had brought along to use as a background, avec grapes and some of my be-coined dance pieces. A productive shoot!