ERosanne: Sex and Nudity

A fellow model whose work I follow (and who often comments here on my blog) yesterday wrote a brilliant ‘rant’ on her facebook page on the subject of sex and nudity in art. Reading her thoughts, I found myself nodding along and had to share it here. It very eloquently explains her motivations behind modelling nude and distinguishes well between an art model’s thought process and the thought process someone might mistakenly project onto them. Have a read… And visit ERosanne’s blog here. Below are some of my favourite images of her (copyright ‘Phoenix555’ and Mike Crawley):

‘If you follow my blog, my journal, or my work in general, you’ll probably know that this is a bit of an ongoing theme of mine. 

The internet is open to all kinds of human life and their diverse interests. Inevitably, sex is a preoccupation of humankind, and something that everyone obsesses about from time to time. (Some more than others, and Freud would argue that everything we do or say comes down to a fundamental preoccupation with sex). The internet has made access to sexual content incredibly easy. Too easy, in my opinion, since it is virtually impossible to avoid being bombarded with explicit content, whether you choose to seek it or not.

We (the West) live in a society where nudity is only ever portrayed in a sexual context. Think about it. When was the last time you saw a naked person on television or in print? And what were they doing? We only ever see naked people in films or on TV when they are engaging in a sexual act. Going about your every day life, the only naked people you are likely to see in print are in magazines on the top shelf of a newsagent. There’s porn all over the internet. Generally speaking, you would have to go out of your way to find a nude person portrayed in a manner that is not sexual. 
They do exist, of course, but almost without exception, you won’t come across them in your everyday life; you would have to seek them to find them.

 It’s not surprising then, that some people simply cannot disassociate nudity from sex. It’s a shame, but it is an inevitable truth, that many people can’t help but view a person without clothes on, without judging them in a sexual manner.

 But there are certain areas where nudity is not necessarily linked with sex, for those who are able to free their minds from the association. Medicine is one, naturism is another, and then there’s art. Nudity has been depicted in art for centuries, and though it can be represented in a sexual manner (erotic art), I personally would argue that the the emphasis is on the nude as a thing of aesthetic beauty, but not, necessarily as an object of desire.

 When I create art nude photographs, I do not view my body or my work in a sexual context. I certainly don’t view the process of creating my work as sexual, and I get no sexual gratification from sharing nude images of myself. As obvious as this may sound to many of you reading this, I often feel this is something I have to emphasize for those who are simply not able to view nudity as anything other than sexual. 

 I view the human body as a thing of aesthetic beauty. I am able to view images of nudity and appreciate the beauty of them without being distracted by associations of sex. I am not inhibited or embarrassed by my own body, and as such, I try to capture with my photographers a wide range of expressions. Some of my work is simply aesthetically beautiful (or trying to be). In other images, I have also attempted to express a range of human emotions, including (amongst others), innocence, sorrow, vulnerability, strength, freedom, passion and, on occasion, sexuality.

 I am a frustrated actress at heart, and I feel the ‘need’ for a creative outlet. I have often described modelling as ‘a static form of acting,’ in which I attempt to capture an emotion in a freeze frame. Whether I am successful in this mission or not, I don’t know. It’s very difficult to be objective about your own work, and I’m not so arrogant that I believe I hit the mark every time. I do, however, see this in the work of others, and it is something I aspire to. 

 In my mission to be creative, I find it liberating to be nude, because this involves the whole body – from fingertips to facial expression. The beauty of the human body (and by ‘beauty,’ I do not mean conventional ‘beauty,’ but rather the beauty that is intrinsic to all living, breathing human beings) is so much more expressive – in my eyes – when it is unconstrained by clothing. I’ve seen some wonderfully powerful and emotive art nude images, which seem all the more so to me, because every inch of the body is used to convey an emotion, or perhaps simply to compliment the beauty of the natural environment. The body in itself is an art work, and I enjoy working within this genre, attempting to capture the beauty of the body and all that the body is capable of.

 I grew up with a fairly conservative family who certainly weren’t particularly liberal. Yet I do not believe that nudity should necessarily be associated with sex. I don’t think that society’s portrayal of nudity is a very healthy one, since the association with sex is unavoidable. I’m not sure why it is that I have never exclusively viewed nudity in a sexual context, but even as a child I was never afflicted with the giggles over pictures or jokes about bums, boobs and willies. After all, we all have them. For this reason, I am able to model nude, and I am able to share those images with others without associations of guilt or smuttiness, because I simply don’t see my work in that way.

 The age of the internet has been both a blessing and a curse. A blessing in that it has provided me with a platform to exhibit my art nude work, and share with others. But simultaneously a curse, in that the very word ‘internet’ carries so many negative associations – often, I believe, because the internet makes sex all too readily available and therefore is subconsciously associated with the stigma of something ‘dirty.’ When I share my work via the web, I can’t choose who gets to view it, or how it is perceived. I am confident in my own mind of the motivation behind creating my work, and I hope that my intentions are evident to many viewers, who appreciate my work in the way I intended it to be appreciated – as works of aesthetic beauty, not as titillation .

I am not under any illusions. For some people, nude is nude, and a girl with no clothes on is a sexual object. I can’t stop those people viewing my work. But I am not creating my work for those people, they are not my motivation. I’ve said it before, and I’ll say it again. I’m not an exhibitionist. It would be foolish of me to say that I don’t want to be viewed in a sexual manner, because I know all too well that many of those who view my work will see it that way, no matter what I write, and I can’t change that. But I do not create art nude images for my own sexual gratification, and I don’t enjoy viewing images (or text, for that matter) that are created solely for that purpose. 

 I resent nothing more than comments such as ‘sexy girl’ or ‘nice tits’ on images where my intention was clearly to evoke a response other than a sexual one, and the viewer is not capable of interpreting that. I understand that there are those who can’t see past the ‘nice tits’ and never will. Society has imposed on us the implication that anyone who takes their clothes off, is doing so for sexual reasons, so they probably assume I’m flattered. I’ll never completely stop comments like that, or rid myself of sexual connotations as long as I keep taking my clothes off. Fortunately, I like to think that the vast majority of people who view my work, are capable of understanding my intentions, and the ‘nice tits’ comments are few and far between. I share my work for the enjoyment of like-minded individuals, and luckily, the vast majority of people who follow my work are ‘like-minded.’

 But I know I have followers who I would class as exhibitionists. Their motivation for creating and sharing images is all too transparent, and their motivation is certainly not to create art. We have in common an interest in creating material that features nudity, and they make the assumption that we do so for the same reasons. But if a quick glance at their work reveals an entire gallery of images featuring their own genitals, or perhaps a body of literature that contains the word ‘fuck’ or ‘fucking’ 36 times on the first page, (‘sex’ or ‘sexual’ 33 times), then it is immediately obvious to me that our motivations for creating our work are not the same. With such individuals, I will never overcome their mentality that nudity and sex are one and the same, and it is pointless trying to explain to them that I don’t think we have anything in common at all. 

 I am not prudish, I don’t think sex is dirty. I know people do it, and I’m capable of having a conversation about sex without embarrassment. But as far as sex goes, that’s something I prefer to keep to myself, and something I choose not to be exposed to if I can help it. I am open-minded in the sense that I don’t judge people who choose to get their sexual kicks on the internet. It’s just that I have no wish to be associated with those people, and that truly isn’t why I am here.

 I’ve spoken before about this subject here: http://e-rosanne.blogspot.com/2010/11/hallam-mill.html
and here: http://erosanne.deviantart.com/journal/37444520/

 Nobody is obliged to agree with me.’

The shed with a cave inside…

I worked recently with Rayment Kirby at his home/shed in East Sussex (before the Ophelia shoot detailed below). I think Ray is absolutely brilliant – so refreshingly ingenious with his make-shiftery. He creates backdrops, lighting and even camera equipment himself, making the most of what he has to hand. He has such a creative approach to ‘things’ and this makes the results even more special, I think. The photographs below are intended to go towards a book he’s working on at the moment, and you can read more about his fascinating methods on his blog.

Here are some of the shots from the session. Some of them were taken against a blue screen, with the idea that they would then be re-worked digitally into different backgrounds, but they work well in themselves I think.

The first shot is proabably my favourite. In front of the blue screen was hung some plastic sheeting, draped to create interesting plays with the light.

Through the window…

You can read about the methods involved in the last shot here – ‘Caving for Beginners’!

Thanks Ray and I look forward to the next one!

Ophelia…

…was the theme of my fourth shoot with J H. I seem to have produced some of my favourite images with him and, in general, seem to love any opportunity to agree to throw myself into water and pretend to be a mermaid and/or nymph. These were taken during a leisurely two-hour early-evening shoot in East Sussex last weekend. People say it’s ‘brave’ to get in water for shoots like this, but I think if the worst thing that happens to you in a day’s work is that you get wet/dirty/cold while floating around pretending to be part of a mythical story, and you get beautiful images to show for it, you don’t have much to complain about. J wanted to aim for something reminiscent of Waterhouse and Millais, an admirable aim in my book. The reflections in the water worked so well for a dreamy, painterly feel. For the first few, I have to admit I was imagining myself as a princess searching for a little frog to turn into a prince. When in doubt, my mind reverts to whimsy.

Thanks J – looking forward to the next one! 🙂

Pre-Raphaelite Goodness

The following shots were taken by Keith Cooper at a location (half an hour away from my house in Oxfordshire) which manages to combine the romantic 15th Century ruins of a manor house, a river and woodland – perfect for Keith’s interest in pre-Raphaelite and historical styles. I’ve got two more shoots already booked in with him, so I’m looking forward to seeing what we come up with next!

More Spanishness – John Evans

I’ve been looking forward to showing some of these… A few more from the week I spent in Spain with Gregory Brown and John Evans (and fellow model Hannah Ashlea).

But first, a cute snap I got someone walking past to take with my camera on the last day, just as were packing up the car to go back to the airport.

This first one is by Gregory Brown, then the rest are by John Evans.

I love this headdress – I bought it over a year ago and thought it would be worth taking to Spain, as I was told some amazing rocky venues had been scouted. The wind was so strong (especially as we were near the edge of a bit of a cliff) it kept nearly flying off, all of a feather.

These beautiful lilles, on the terrace of the apartment, were teasing us with their photogenic potential all week. I love the freshness of this set:

We shot the following in a derelict, crumbling house on the side of the road. It just so happened that the turqoise underbust corset I’d brought matched the graffiti perfectly. A very happy coincidence.

A tree John found…

An amazing rock formation, surprisingly close to a mountain road, up which some German/Swedish/Austrian cyclists were huffing and puffing (I’m not sure we ever established which nationality they were, though we had a very long conversation with one man, who seemed keen to take any opportunity to hang back from the group and catch his breath and so wanted to make sure he had recounted the thitherto events of this particular trip in great detail for us.) Greg and John were positioned too far away for us to hear when the camera was actually clicking!

And finally (for now), I’m always happy when I’m near water… I’m really pleased with these, taken on a beach: