A Vintage Bridal Series

My 1970s Victorian-style wedding dress has had quite a few airings over the last few weeks! I often model for BIPP and SWPP’s fashion, bridal and portrait workshops, and thought I’d throw this dress into the mix one day rather than wearing one of my modern wedding dresses, just to get a different style for the photographers attending (it’s also nice and warm to wear, due to the material and sleeves, which is always a bonus!). For that particular BIPP workshop, the excellent wedding photographer Kevin Wilson was teaching. He was enamoured by the dress and asked me to model in it for a series of G F Smith ‘Inspire’ events around the country. He also asked me for another model who could do the fashion workshops (led by Mark Lawrence) simultaneously during these days, so I recommended my friend Ivory Flame for the job, knowing she would do it well and repaying some of the jobs she’s gotten me by way of recommendation in the past.

I’ve now worked with Kevin four times, in Aylesbury, Birmingham, Duxford and Maidstone, with the final event in Leeds next week (I’m shooting with Mark for that one though; Holly and I are swapping roles for a final twist!).

Here are some of the images he’s taken of me over these events. I made sure to vary my hair very slightly for each event. I think his use of tones and compositions are absolutely beautiful, helped here by some rather stunning locations (Holly and I were surprised on one particular day to find we’d be modelling in front of war-time aircraft. I’m particularly wistful in these; the narrative being that my husband is lost to war. It was easy to get in the mood; the Air Museum in Duxford has a sound system playing sirens and bombs.. a very surreal and eerie place in which to work!). Click to enlarge as always…

Birmingham:

Duxford Air Museum:

Maidstone:

I was also sent a few from some of the photographers attending. By Joe Gilbert:

And by Steve James:

The Boudoir Academy

I modelled again for the Yerbury duo earlier this month, for a a Boudoir Academy seminar. It was a fantastic day and a pleasure to see them inspire budding photographers.

In between teaching and giving guidance to the delegates, Faye managed to capture these shots. I think my favourite set is the one where I’m lying down on the purple throw with the gold cushions – the colours are so vibrant against my pale babydoll.


Trevor also managed to take a shot of me at the end of the workshop (until then he had been working mainly with the brilliant Anita de Bauch), when I was dressed as a bride. An ethereal high-key image:

Unity

Yes, more (and still probably less than half way through) shots from Spain. This time with a distinctly circular theme…

ย (above by John Evans.)

ย (Above featuring Hannah Ashlea.)

John and Greg’s book ‘Andalusianudes’ can also be bought in a smaller size. Click here to preview!

More…

… from Mr Gregory Brown.

Red on the bed:

ย The local bar owner presented Hannah and I each with a flower. I thought it should feature:

These were taken in some spare moments just after I’d finished packing up my stuff on the last morning, before we had to make our way to the airport:

ย I love the perspectives and angles on these – and I love the painting in the background, which somehow suits. Stairs are always fun (also did some cool stuff on these stairs with John Evans, who will be featured again v soon):

The place was full of books!

If any of these particularly stand out to you for my portfolio (and in fact any of the ones from this trip to Spain I’ve posted so far), speak now or forever hold your peace!

A Quick Dip

Hola!

I spent a week in the south of Spain (nr Frigiliana) last month with photographers Gregory Brown, John Evans and fellow model Hannah Ashlea. It was soooo productive and I absolutely love working with Greg and John. Although my body was pretty tired by the end of 7 days straight (and I also had a shoot the very next day) I felt very inspired and creatively energised by spending this time with them. I am so pleased with the images – I received nearly 4000 shots into my inbox in the days after the trip – and am a bit overwhelmed by how many new favourite shots I have! Hannah was also a total pleasure to work and hang out with, so check her out too! Greg and John had been casting for a second model since Autumn last year, so I was pleased to discover it would be someone I’d already met. The villa we were staying in was ridiculously amazing – we were all pretty flabbergasted by it (brilliant word, flabbergasted – had to get that in). The owner is a bit of a continent-flitter, and has filled it with millions of interesting things, so teamed with the beautiful French/Moroccan (hard to place) decor and gorgeous white walls and blue hues, beautiful windows and outdoor pool, you can see why Greg and John were in their photographic element! There were also about fifty thousand tables in the villa, which meant we had to choose each evening whereabouts we would eat our dinner. Hard life.

Anyway, I just want to quickly show two photos from John, taken by the pool. John and Greg work by alternating (hourly or so) between models, so there’s always a lot of energy from the day being broken into chunks and lots of changing around, but this set came after our lunch break and I’d been lounging around like a lizard on the wall by the pool. John decided I looked potentially photogenic and declared that this would be our next set… So this was absolutely the most relaxing, sun-soaked set I’ve ever modelled. I literally just lolled around in the sun, sometimes dipping in a toe or arm (hence the ripples!). At one point I totally misjudged the width of the wall and very nearly went in… but all was well. (We did go in later though… COLD in March!)ย  In this first shot, John had climbed onto a wall and was shooting down on me, kindly without blocking my sun…

This second shot is one of my abosolute favourites, just because I was so utterly relaxed and I adore the trail of tree against the wall. I had no idea my hair was wet until I got up afterwards, when it flung droplets of water onto my back and shoulders. The metallic sheen of my skin was not added by any post-processing; this is exactly how the shot looked in-camera (gotta love Spanish light), just minus a pesky sign on the wall. Because of that, I think it’s quite special!

I’ll post many more soon! Will try not to over-bombard you with the zillions of images I have. We shot in and on rocks, on beaches, in the sea, in derelict houses, in the stunning villa, in an old sugar factory, in the streets of beautiful quiet villages… the list goes on. ๐Ÿ™‚