I’ve just finished packing for my third shoot with a photographer who’s working with me this time in my nearby ancient woodland tomorrow morning, just for an hour. Having amused myself with the curation of some very fanciful outfits (I love it when I’m given free rein with styling, even if there are only so many sets you can get through in such a quick session!), I thought I’d update with some images sent to me which were taken in Vienna.
(I need to get myself back to Vienna again soon – SO much to see and do there!)
As you can imagine, some of these were a bit challenging, but challenges are fun, are they not? 🙂
(Organisation and set design by Roland Pum)
By Peter Eibler:
By Manfred Klejna:
More by Peter Eibler:
Hope you are all having wonderfully balanced weeks.
Zoe Wiseman still holds the award for the world’s most laid back, no pressure shoots.
We walk (a few metres) to the beach. We consider the wind. We sit down. We consider the waves. We stand up. We consider the rocks. We scramble gently over them, dodging the puddles of water growing fast from the flinging sea. I perch; she crouches, wedged between jagged rock. We shoot a few frames of film. We stand up and look around a bit more. We move a bit further…. The Australian waves were really crashing in – it wasn’t a long shoot.
Zoe’s such a pleasure to meet every year.
These few had the benefit of the amazingly-faced Sara Liz, a US playboy model who is really friendly and funny:
Memories of this trip include lighthouses, rocks, funny Norwegian pancakes, beaches, sculptures, sub-sea tunnels and outdoor cats. We had a very productive four days, and so I will endeavour to divide the results into more than one blog post. I love so many. This selection, the ‘indoor’ side of things, was mostly taken while listening to Alicia Keys and Mark Knopfler’s brilliant Privateering.
A huge thank you to the multi-talented Sjur Roald, whose hospitality, too, was fantastic.
Another blog post in quick succession, but I’m keen to show off some images from another session in Germany, working with the excellent Steven Billups in the Baden-Wurttemberg area.
These were all taken on film, so we took relatively few compared to the average photoshoot (digital shoots can results in hundreds and hundreds of images), and there are so many that came out beautifully, we think. I love the tones and shapes and textures in these, and the water’s caught really well (not always the easiest thing, capturing moving water). There’s always such a sense of uncertainty with film – it’s not like digital where you can look at the back of the camera for reassurance – you have to trust you’re doing the best job you can (both the photographer and model), so maybe there’s something extra valuable about the feeling of getting it right!
Congratulations to Steven for selling quite a few prints recently of a shot we did last year, too!
I was asked by Stefano Brunesci to model for another tuition session back in March. The attending photographer was Chris Sinn, who wanted to learn a thing or two about Stefano’s methods and style (he wrote on his blog afterwards, as part of a lovely write up of the day: ‘there is just something about his lighting and style that makes me drop my bacon sandwich and inspires me to do better’!)
Stefano is a great teacher, not least because he is completely and utterly honest about what he does and how he does it, from lighting (he does achieve a lot in such a compact home studio!) to interaction with the subject. From a model’s point of view, I can say that Stefano is really, really great at encouragement – VERY vocal while shooting, which helps a lot and also goes a long way towards setting the particular mood that he tends to go for. His shooting tends to be quite fast-paced, so there is less ‘Pose. Click. Pose. Click’ (though there’s nothing wrong with that, and in general I can often be quite a ‘deliberate’ poser) and more ‘let’s just go a bit crazy in front of the camera without stopping’, which results more in the kind of energy of image you’ll see below.
First, I’ll show some shots by Chris, who I thought did very well and is a great photographer himself.
Here’s one Stefano took as a demo shot during the tuition, to show one of the lighting set ups:
And after Chris had gone, Stefano and I did a quick mini-shoot ourselves for fun. I do mean quick – these were taken in ten minutes:
… Any favourites?
I really love these shots taken by Kev at London’s Beltcraft Studio. We had a really fun shoot trying all sorts of things, and I think/hope there will be more images to show in the near future. For now, though, sometimes you just need to lie down with the roses….