These oddball images were taken by Terry Joslin at one of mine and Ivory Flame‘s joint ‘Goddess’ themed days. We had a lot of fun making these; it was my first foray into painting with light, and as Holly had worked on this with Terry before, she was able to give me a quick intro into the method of whipping torches around the parts of our bodies we wanted to illuminate for the camera to see. The results are completely unpredictable. It’s so hard not to want to rush to look at the back of the camera after every frame. Many faces, limbs, expressions, body parts and movements are caught here, in different locations within one frame, and it definitely puts the model in the position of performance artist, capturing something akin to a moving image. At one point I became obsessed with trying to capture my left leg in a high-kick (more difficult than it sounds!)… and then I decided HANDS should feature… Hands hands hands on ourselves and on each other… The results are so creepy, strange, horrific and capture the imagination, I think.
Thanks to Holly for being splendiferous to hang out with in the studio, as always… and I do hope to work more on this with Terry sometime!
How lovely ’twas to work with eccentric and passionate, Holland-based Brit Eric Kellerman, at his home studio in Nijmegen recently. We’d been in contact since 2009, according to our online message history (back when I was nervous about flying alone…. fast forward to now and I’m happily jetting about all over the world by myself!), and having been a long-time admirer of his beautiful and intriguing work, it was an honour to finally be involved in his vision. Eric has very kindly sent me some images after our shoot – 125 to be exact!! My inbox is happy. Eric is currently working on a number of different projects based on female figure nudes, the current accumulation of which can be seen on his website, gallery by gallery. Many of you will have heard of his infamous ‘box’ project and we did indeed work on that with some cool results (Eric is publishing a book on it later this year), but first, here are some strong, dark, moody nudes showing muscle and grit! I love these – a far cry from the softness I usually project.
Working with Eric is a liberating time as every strange ‘imperfection’ of the body is celebrated; although some shots may show bones, slenderness and strong definition in my abs, others show rolls of fat, bulges and creases which appear when the body moves, slumps and folds…. it’s all the same body on the same day (and my weight never fluctuates at all anyway) and just shows how variously a body can be portrayed, with the creation of different lighting, and to interesting visual effect.
I think my favourite is the fifth from the bottom… What do you think?
Hello from Dusseldorf!!! (Sorry, no umlauts on this laptop!)
Just wanted to show some recently-appeared-in-the-inbox movement nudes from my last shoot in Paris last month. This was one of the most tiring shoots I’ve ever done, simply because there was one rule – do not stop moving. (Actually that’s not true – the other rule was ‘have fun’!) It was such a work out, and for photogapher Jeremie Nassif too, as he was literally following me around, up, down, left right, swooping around, ducking and lifting and jumping… pretty good exercise, I’ll say that! I absolutely love these results; I’ve always loved movement in images, and these are so cool in my opinion! So without further ado:
P.S. I sincerely hope everyone has watched the film ‘Eagle vs. Shark’, which I am reminded of everytime I hear the song ‘Let’s Dance’. Basically, all the lead actor has to do (whose name I’ve gone blank on, and don’t have time to google at this present moment… Jemaine Clement!!!!) is curl his lip in that ‘I’m so cool… I’m so complex’ kinda way, and I’m in hysterics. He floats my boat in Flight of the Conchords too. I actually adore him. Off topic… Hope you like the pics above. 🙂
I’ve had a mad little day so far today, writing all morning then busy organising everything in the entire world ever (aka up and coming modelling trips to Germany, Holland, Scotland and now Dublin, since my postponed trip seems to have resurrected itself!). Flippin’ ‘eck, I feel like I spend most of my life on skyscanner.net. (In related news I am now the proud owner of a 4-wheel-drive suitcase, which means I will swivel marvellously through airports, in theory, and not get grumpy.) Off to zumba later (after a quick phone call later about another Paris visit that’s happening in June… I know, I’m just showing off now) and have also managed to get in an enquiry about a local life drawing class I’m thinking of trying out. I didn’t get to study art at school, since it clashed with music on the timetable, but I’ve always found drawing really relaxing on the rare occasion I’ve had a go. I wonder if I’d be any good at it – I really have no idea and could almost definitely be terrible, but I used to enjoy it a lot and I think it would be really fun to try. I’ve also never ever modelled for a life drawing class, only one-to-one when it comes to traditional-media artists, so it will be interesting to see what it all feels like.
Anyway, I modelled again for the brilliantly inventive Colin again recently. We had lots of fun trying out various projector themes on me. (I’ve written about his methods previously here.) I also suggested during the shoot that we try movement/motion blur, something I don’t think Colin had really worked on before, and it produced some really really cool (and surprising) effects, we thought, and required the invention of an alien zebra dance which amused me greatly. You feel off in your own world a bit when modelling for these projections; everything seems pitch black or blinding; with the heater on loudly as well, communication between photographer and model isn’t the easiest! Maybe I’ll be able to show some more movement-y ones at some point, but anyway, here are some good ‘uns to be getting on with! Thanks Colin!