I was lucky enough to have had two shoots last year with photographer Owen Lloyd – first in August at Atlas Studios, as part of an event organised by Nicole Rayner which brought us together along with Ivory Flame for a ‘trio’ day at the brilliant (but very filthy) industrial indoor location. Owen was one of the photographers attending the day and got some amazing images, then in December he booked me at Sandon Studio in Staffordshire, where we made the most of a few of its atmospheric sets (and I half-froze to death due to the heating not being on there, despite Owen doing a great job of hauling mini heaters around with us from room to room!). I’m convinced our third shoot might be both warm and clean (though I’d better not jinx it..!). 🙂
Owen is a total pleasure to model for as he really takes his time with his lighting and is very experimental and creative. I find photographers often apologise incessantly to me when they feel they’re taking too long setting up lights, as though I they might think I’d feel my time is being wasted somehow, but really it’s completely normal to keep tweaking things until you get the results you’re after, and if there was a choice, I’d far rather a photographer faffed for much of the shoot and got some amazing images by the end, than shoot ten thousand images without stopping to check, only realising later that they would have been improved by pausing to assess the results as we went along and making some simple changes to the angle/intensity/effect of the lights.
[Interlude for announcement… (drum roll)… Those of you on my mailing list will know I’m now planning a big tour of the US/Canada for next year. It’ll be a whistle-stop tour of quite a few places, and a huge job to organise, hence me taking bookings already, 10 months in advance. Send me an email (firstname.lastname@example.org or via the contact form here on the website) if you’d like more info!]
With enormous thanks to Owen, whose use of colour I adore:
I should be replying to quite a few emails rather than updating my blog, but it’s Sunday and I’m getting SO good at work/life balance these days (lucky, since I recently spoke as an expert on a panel about the subject, invited as one of Oxford’s female bosses in relation to my natural skincare range, Leafology) – and today although I did detour to the studio to make a fresh batch of the hair serum I make out of 17 different plants(!) and pack a few orders ready to send tomorrow, I also spent a hefty amount of time this weekend relaxing, going for an afternoon drink and a walk around one of Oxford’s parks, going for dinner, reading, booking flights for my quick modelling trip to Holland which is happening at the end of this month, watching Harry Potter with my fat cat on my lap, watering plants, pottering and getting some exercise…
STILL, a blog won’t update itself, and I love squeezing these posts in to give a little window into shoots. I’m keen to share some photos from one of my all-time favourite photograpers to work with, Jeff Wilson.
The problem(?), I’ve just realised there are at least 85 photos to show you and, basically, I’m going to inflict them all on you, right here right now. These photos are from 3 of our most recent shoots, at Upper Mills Studio in Gloucester, Pozer’s in Swindon and a BEAUTIFUL outdoor location with 15th century ruins/walls in Oxfordshire, which I’ll take you to if you ask…. Jeff has this knack of making me look very ethereal and romantic and he also, like me, loves to do a mixture of outdoor natural light and studio set ups. I’m very grateful to him for taking and sharing so many excellent photos! They are collected with great gratitidude – and of course we’re working together again soon.
Here’s an update from a few recent shoots we’ve done…
I really enjoyed shooting with Ray Fritz again on my recent trip down under as part of Zoefest in Noosa – we had a really creative time and one of the highlights for me was definitely the wall art you see in these first pictures – gathered, natural tumbleweed/driftwood, just hung on the wall. With the sofa in front of it (not the easiest ledge to balance on, I tell you!) I loved the possibility for shapes on this geometric stage. The last of this set is my favourite, I think.
Hope everyone had wonderful Easters! I’m busier than ever, though reminding myself to rein it in where I can; aside from modelling when I can (which would be enough to keep one person busy), I’m darting about running my handmade business, writing my novel and am soon to be working with literacy projects in my local homeless centre. Then there’s choir, dance classes, running, doing courses, seeing friends and holding their new babies… I definitely overschedule myself, but what’s new?
There is no rhyme or reason to my blog posts anymore; I post images here quite at random (and with a backlog of image to share which is easily in the 1000s) but with the same gratitude as ever to the photographers/artists who allow me to share their work.
…My email newsletters are just as random/infrequent, but with added thoughts, chat and updates on upcoming events/travel.
The following images were taken at Big Shot Studio, one of my favourite studios, by Ken Benoit (instagram):
A recent tag on instagram reminded me of this wonderful shoot I had with Geoffrey Cutts when I was in Australia (again!) at the end of last year.
This was such an enjoyable shoot for me – definitely one of my favourites of the trip – in part because it involved quite a bit of sightseeing along the way as well as great company in the sunshine. I’d worked with Geoff on a previous trip and knew how relaxed and friendly he was, and particularly remember really enjoying the leisurely pace and opportunity to explore the area around Botany Bay National Park… and marvel at stray cockatoo feathers.
Cam Attree has got to be one of the most amazing photographers I’ve worked with and I’ve been lucky enough to have done so multiple times over the years – he points to a bit of driftwood, says he reckons it could look good and five seconds later he’s made magic. Typical. It’s partly down to waiting for the light to be perfect, of course.
These are from a very quick session at a beautiful beach in Byron, Australia, taken at the end of last year.
I love these shots by Stephen Wong (creator of the free digital magazine celebrating the artistry of nudes, ION magazine), taken when I was in Sydney recently. It’s at a location I’ve been to many times (I think I’ve now been to Australia about 6 times and almost every time had at least one shoot in this spectacular spot!), but each time has been different, and Stephen definitely made the most of the incredible rock structures. I love the textures and incredible dips, grooves and colours as well as the warm glow that shines through the final edits. It was a really windy day and I was DEEPLY jetlagged after just flying in from England (I have been told my phonecalls home were making very little sense), but it was such a good shoot and I threw myself into what felt like channelling some kind of Botticelli/Venus situation.
Stephen had such a cool set up to create some 3D images, of which I’ll include a few (at the end of the post), but also sent me plenty of the single images too. He sent me off with a few pairs of 3D glasses so I could see his results once he sent them through to me – one of those ‘my job is so cool’ moments, and hey, it’s a bonus that the glasses look so fetching… 🙂