The edge of the world

Wow, if Carlsberg made photographers, they’d come in the shape of Chicago-based Billy Sheahan. I appreciate and enjoy all of my shoots and often forge friendships with photographers when things have gone particularly well and repeat bookings are made often, but there was something about this shoot that was really special for me.

Billy picked me up from the airport in Mexico after I’d flown west from Mexico City (a place I can’t wait to visit again), and drove me towards a week of intense creativity. Billy was the first photographer who’d booked me for a shoot, and we found the most sublime beach, early in the morning, totally empty. We had to walk through various exotic trees and cacti to find it and when we first glimpsed it, we couldn’t believe how beautiful it was. So perfect and serene. It was so quiet, too, and the whole thing felt like such a privilege.

Billy is one of my favourite photographers ever. He is such a kind, jolly, positive person that is so much fun to be around. He was, as he called himself, the ‘model taxi’; carting us around to grocery stores and to and from meet-ups in his hired car. He even drove us and waited patiently while some of us browsed (slowly) a Mexican charity shop (I think ‘thrift store’ was the correct term; I bought some particularly eccentric black and white geometric-patterned trousers), looking for Halloween costumes. He crashed his car (well, ‘crashed’ is unfair; it was a tiny tiny bump) and got over it in half a second. He is always smiling and incredibly open to the moment, which was why this, Billy’s first real outdoor-location model shoot as I think he told me, was so successful and such a joy.

I know I sound like I’m gushing, but I just felt so incredibly FREE during this shoot. Billy just left me to prance about along the shore line, in and out of waves, jumping off rocks and strolling around in front of his camera. He was a fair distance away for a lot of the shots, and took millions of frames, hoping to catch the ‘moment’ of whatever I was about to do at any given time, since we couldn’t really communicate well in the conditions. So in some ways I felt, for a lot of the shoot, like I was alone in nature, just experiencing the place in all its head-knocking beauty. I’m so grateful for Billy for allowing me to feel that way, and for framing so much open space in many of the shots that reflect that state of mind. Looking at these shots makes me feel so happy.

Billy has written very eloquently about our shoot here and here. Please do read what he’s written – it’s so nice and really sets things in context!

Yes, there will be some monochrome/colour indecision. I love the blues in the ones looking out to sea!

Click to view them large (you’ll need to; I’m kinda tiny in some of them), and please let me know your favourites!



…And some in colour:
 
 

The Trees…

…They called me to go and model for Dave Aharonian, and what an honour it was! We were very excited to be able to make stuff together for his Rainforest Nudes project (see his incredible website if you happen to feel like being blown away). I just adore his technique and finishes; the pure quality of it needs to be seen in physical prints. We had 40 frames available and about 1.5 hours. Luckily everything just ‘clicked’. I hope you like these as much as I do.

Any favourites?!

Also, Dave took these on his iPhone a few mins before we left the house:

 …And, just to lower the tone a bit, here are some shots of me on the ferry (also iPhone-snapped – there’s just no escaping it, is there?), documenting the perils of long hair in strong winds. In the last one, I was actually being attacked by my own hair. Nice of Dave to help…


Fertile Lands

These were taken by Imagesse in Gloucestershire. The lavender field in this first shot was one of many streaming, dazzling, potent beds of rich colour, which were just incredibly beautiful. The bees thought so too; I posed amongst a constant buzz of them, busily going about their pollen parties by my feet.

The rest of the shots here were taken in a corn field we found nearby; the weather had started to crack just as we were finishing our very impromptu session; my fertility dance worked – fat drops of rain fell out of the sky! (Notice the strip of lavender field in the background of the colour shots)

Mmmm… lavender…

So yeah… Check out the lavender cupcakes I made. They were AMAZING, quite frankly (despite the haphazard icing). I felt a bit bad stealing a few sprigs after the shoot, but only took a tiny little bit, honest… And they had plenty. (BAD morality; I strongly disapprove of this type of rationality in general…)

Wings & Rocks in the Land of Pirates!

Yet another blog entry today, and already a few more ready and waiting in the pipeline… don’t say I don’t spoil you..! 🙂

Today’s offering comes from a weekend trip to the stunningly beautiful West Cornwall I made at the end of June, working with Perry (of Imagesse photography). I am thrilled with some of these images. When Perry mentioned before the shoot that he would quite like some kind of ‘wing’ theme, but wasn’t sure how possible that would be, I immediately thought of Isis wings, which I’ve modelled in and danced with before (they’re an oriental dance prop), and ordered some of my own in time for the shoot. I chose some large silver translucent ones, which I thought would shimmer in the light and look delicate enough to let it through in certain conditions – I personally prefer them to other colours I’ve seen and used before, but you can get them in all different shades to suit your skin tone; traditionally you would match them to the colour of your costume. I love the permanent pleat structure on them, too, which can look a bit like the veins on a leaf (or, er, a wing). As a prop they can be difficult to work with in windy conditions, as they literally feel like they will take flight at times, so balancing in delicate poses isn’t as easy as it would otherwise be. They also reflect a lot of light (which I think is a good thing). I am so pleased with how these came out and think Perry caught some absolutely jaw-droppingly beautiful scenes, some vivid colours and along with the reflections in the water, it was definitely worth the 5.5 hour train journey each way!

When I got off the train in Penzance, I was immediately greeted by pirates. Someone had joked to me previously ‘watch out for the pirates’ but, bizarrely enough, there was well and truly an official ‘pirate day’ celebration, or something going on that weekend. (That’s as much as I could get out of the cute little girl who befriended me as soon as I arrived in the hostel with Perry; she even followed me in to the bathroom, showing me her eye patch and pirate dress, which she was concerned wasn’t a real pirate dress, but which we agreed looked pretty all the same… so I had to give her a task to do, asking her to take my bottle of water to my bag in the reception area, to distract her so I could pee in private. SO cute!). The entire area of Cornwall seemed hungover from the night before, and there was mess everywhere as though a bomb had dropped, and people gallavanting around in costume. Quite a contrast from the serene, natural scenes Perry and I were shooting at!!

Anyway… With thanks to Perry, here are some of the results from a drive around different parts of West Cornwall, from beaches, to rock formations, to stone circles:

P.S. I nearly forgot to thank my ‘support group’, without which I would perhaps not have made it down to the beach in those first shots at all!!!!! In order to get down there, we had to climb/scramble down a very steep rock face. This was nothing for Perry, who does mountain climbing in his spare time (but who admitted the route was more precarious than he’d remembered from visiting the area when he was younger), but for me (in my Diesel flip-flops, as brilliant as they are), it was a little panic-inducing. There were some people climbing up and down the narrow bit who took it upon themselves to pass my bag down to Perry then direct my feet into specific places so I could get down. I said to Perry afterwards that I should just have waited a minute or two longer and they probably would have passed me down between them like a sack of helpless spuds… Hahaha. (I am adding the ‘Damsel in Distress’ tag to this post, I think.) Nothing like a bit of early morning fear to get a good set of photographs. Since then (bearing in mind my backpacking trip later this year), I have purchased some more suitable footwear… All good practise, eh? 🙂

I have, since this shoot, worked with Perry again in another stunning location (to be blogged soon I’m sure!), and hopefully there’ll be a third shoot together sometime in the future!

More Spanishness – John Evans

I’ve been looking forward to showing some of these… A few more from the week I spent in Spain with Gregory Brown and John Evans (and fellow model Hannah Ashlea).

But first, a cute snap I got someone walking past to take with my camera on the last day, just as were packing up the car to go back to the airport.

This first one is by Gregory Brown, then the rest are by John Evans.

I love this headdress – I bought it over a year ago and thought it would be worth taking to Spain, as I was told some amazing rocky venues had been scouted. The wind was so strong (especially as we were near the edge of a bit of a cliff) it kept nearly flying off, all of a feather.

These beautiful lilles, on the terrace of the apartment, were teasing us with their photogenic potential all week. I love the freshness of this set:

We shot the following in a derelict, crumbling house on the side of the road. It just so happened that the turqoise underbust corset I’d brought matched the graffiti perfectly. A very happy coincidence.

A tree John found…

An amazing rock formation, surprisingly close to a mountain road, up which some German/Swedish/Austrian cyclists were huffing and puffing (I’m not sure we ever established which nationality they were, though we had a very long conversation with one man, who seemed keen to take any opportunity to hang back from the group and catch his breath and so wanted to make sure he had recounted the thitherto events of this particular trip in great detail for us.) Greg and John were positioned too far away for us to hear when the camera was actually clicking!

And finally (for now), I’m always happy when I’m near water… I’m really pleased with these, taken on a beach:

Unity

Yes, more (and still probably less than half way through) shots from Spain. This time with a distinctly circular theme…

 (above by John Evans.)

 (Above featuring Hannah Ashlea.)

John and Greg’s book ‘Andalusianudes’ can also be bought in a smaller size. Click here to preview!