Check out my retro ‘Ab Fab’ hair do, courtesy of Jennifer, photographer Tony Ornstien’s wife. These were taken as candids, mid-movement, as I frolicked and strode around the manor gardens in Oxfordshire…
And a headshot indoors:
I modelled again for the Yerbury duo earlier this month, for a a Boudoir Academy seminar. It was a fantastic day and a pleasure to see them inspire budding photographers.
In between teaching and giving guidance to the delegates, Faye managed to capture these shots. I think my favourite set is the one where I’m lying down on the purple throw with the gold cushions – the colours are so vibrant against my pale babydoll.
Trevor also managed to take a shot of me at the end of the workshop (until then he had been working mainly with the brilliant Anita de Bauch), when I was dressed as a bride. An ethereal high-key image:
I’ve noticed that some photographers think models might not be too interested in seeing their shots of you, as you have (as a photographer said to me yesterday) ‘billions’ of photos of yourself already. Well, I don’t think I quite have a billion(!) but it’s true I’ve seen renditions of my own mug a few more times than the average person. However, I’m always interested in seeing how things turn out – different effects and styles mean there are a corresponding billion ways my mug can manifest itself as a photographic image, and I genuinely love seeing the fruits of mine and a photographer’s labour!
SO, I am always particularly chuffed when budding photographers attending workshops I model for then add me on facebook, tagging me in shots they’ve taken, or email me to show me their results!
Here are two more from the Yerbury boudoir workshop I modelled for recently. I thought the glowy light in these was fantastic when I saw them! By Donovan & Donovan Photography:
I’ve also modelled many times for the British Institute of Professional Photography, for their fashion, portrait and bridal workshops (I’ll be modelling on 16th March for another bridal workshop). This is by Rob Grimes, for a workshop led by the lovely Kelly Hearn. Photographing through a veil can be difficult, focus-wise, but makes for a really nice effect:
I had four exciting shoots this last week, one of which was for Faye and Trevor Yerbury‘s Boudoir Workshop at a beautiful hotel (The Greenway) in Cheltenham. It was a perfect opportunity to wear some new lingerie sets, I thought. The day went very well. The Yerburys are an impressive husband and wife team who have both won a ridiculous amount of awards individually – they have a genuine enthusiasm for creating beautiful images, and for passing on the necessary skills. I have unexpectedly been sent lots of the images from the day (both from the Yerburys and the delegates), which is always a nice bonus!
The following were taken by Yvonne Lorraine (one of the delegates at the workshop):
This was taken by Barbara Leatham (another delegate):
One of the things that attracted me to working with Iain was his ability to create beautiful, light-filled, ‘airy’, soft glamour images, which are very fresh and romantic. These are more seductive than I usually do, granted, but they’re still pretty tame and relatively innocent, and I’ll never go beyond this limit.
First, some retro/vintage/pretty-style lingerie:
And:
The following are from the final set we did. A bit raunchier than anything I usually do! I love the fiery set up.
I did promise one commentator some results from my day at the Victorian Pub event in Oxford, and as I’m on a bit of an admin roll (I’ve just updated my availability on my website, having recently decided to make some time available for September bookings. Last minute I know, but maybe you’ll have read my previous post…) I thought I would post some of the images. Many thanks to the kind photographers who have offered me the chance to show them off! It was a great day, lots of fun and I think the photographers enjoyed the unusual location and potential it gave for some funky images. Here are my favourites:
From Martyn Davis (who took one look at this penguin and agreed we had to use it):
From the lovely Karen Jones, who I’ve managed to work with about a million times now: