Yerbury Fine Art Nude Masterclass

I’m just back from a very enjoyable shoot with a photographer and his wife, a couple I’ve visited quite a few times now and love to see. We did some really nice un-posed and natural, expressive nudes (inspired by Jonvelle) in their beautiful house, and it seems a fitting time to now blog about a recent day spent with another husband and wife team.

I love working with Trevor and Faye Yerbury – they produce such beautiful, classy work and are lots of fun to model for, so I was happy to be chosen to model for one of their Fine Art Nude Masterclasses the other day. As always, the photographers taking the course were all a pleasure to meet and seemed to enjoy themselves very much, snapping away with big smiles all round! The location was Pipewell Hall, an old country manor house in Northamptonshire. I was mainly stationed indoors with Faye, making the most of the building’s incredible features and furnishings, while the other model, Zoi, spent the day outdoors in the grounds with Trevor. It was really nice to meet Zoi after we’d tried but failed to meet up in Holland (where she is based most of the time, though she frequently visits the UK still) and we had a good natter over lunch. πŸ™‚ We made a good contrast as photographic subjects; Zoi with her beautiful Greek/’Amazonian’ look and me with a more ‘pre-Raphaelite’/serene style (well, that’s what Trevor said anyway!).

See here for more info on the range of workshops currently on offer by the Yerbury team: http://www.yerburystudio.com/

A few of the photographers attending have very kindly sent me some of their shots from the day. It’s interesting to see some of the different takes on the same poses. I was really happy to give my first airing to my new pointe shoes (ribbons to be sewn on very soon; old ones to be dyed black!) and although I’d only mentioned to Faye in passing that I’d brought them along while she was doing my hair at the beginning of the day, ‘ballet’ ended up being quite a strong theme for my posing, with lots of happy skirt swirling in front of the window. πŸ™‚

These first shots are by Andrea (Pink Lily Photography) – read Andrea’s blog post about the day here:

By Maria Tanner (Lace Market Photography – see Maria’s blog post here!):

By Ian Parry AKA Maximus Operandi:

And last but not least, by Faye:

Zoi and I posing together outside at the end (first shot here by Ian Parry; colour snaps by Faye)

Trevor overseeing all:

Β And a group shot (Zoi and I being silly in the middle)! πŸ™‚

Thanks again to everyone who has sent me shots – it’s much appreciated! And to anyone reading, please feel free to let me know any favourites… Your feedback is always fun to read! πŸ™‚
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In other news, I’ve recently re-jiggled by portfolio on Model Mayhem (click here to go there) – trying to organise it so that, by clicking on the relevant galleries, photographers who are less interested in nudes can see my fashion/commercial/editorial work all in one place without having to wade through all the more artistic shots, while photographers interested in figure work primarily don’t have to wade through shots of me grinning and running blissfully along beaches in sportswear… Wonder if it works well like that as a way to show versatility without having them all mixed up and it looking too eclectic – why not pop over and take a gander?

Portraits, Box, Stripes and Lightning

Tonight, a massive medley from the marvellous Eric Kellerman!
First, a test shot in (well, mostly out of by then) Eric’s robe, plus some portraity things:Β 

The infamous box – an honour to step in this small, equilateral theatre.

A beautiful bodyscape that seems to have slipped through the net of my previous post ‘Strength in the Dark’. Hip bone glory:

Then some joyful striping around. I love this effect – so amazing, especially when in the mix with some curly stray locks lolling around in front of flesh and playing shadow games.

(I think I manage to look a bit ‘eighties’, skeptical and sulky all at once in a few of those stripy portraits above. Brilliant!)

Thanks Eric! …And as always, if any of you readers have particular favourites, etc., do let me know! I always love to hear from you.
…So yeah, I know it’s totally inappropriate, but something about the stripes (and the fact that this particular fancy dress theme came up in conversation this evening when out with some friends) is making me want to leave you with some images from 2007 taken on a university pub crawl… We were the coolest kids in Nottingham that night, let me tell you. (There were seven of us and our feet were tied together for the majority of the night. Tricky manoeuvres all round.)

Hello Bowie friends, if any of you are reading this!

The Trees…

…They called me to go and model for Dave Aharonian, and what an honour it was! We were very excited to be able to make stuff together for his Rainforest Nudes project (see his incredible website if you happen to feel like being blown away). I just adore his technique and finishes; the pure quality of it needs to be seen in physical prints. We had 40 frames available and about 1.5 hours. Luckily everything just ‘clicked’. I hope you like these as much as I do.

Any favourites?!

Also, Dave took these on his iPhone a few mins before we left the house:

Β …And, just to lower the tone a bit, here are some shots of me on the ferry (also iPhone-snapped – there’s just no escaping it, is there?), documenting the perils of long hair in strong winds. In the last one, I was actually being attacked by my own hair. Nice of Dave to help…


Wings & Rocks in the Land of Pirates!

Yet another blog entry today, and already a few more ready and waiting in the pipeline… don’t say I don’t spoil you..! πŸ™‚

Today’s offering comes from a weekend trip to the stunningly beautiful West Cornwall I made at the end of June, working with Perry (of Imagesse photography). I am thrilled with some of these images. When Perry mentioned before the shoot that he would quite like some kind of ‘wing’ theme, but wasn’t sure how possible that would be, I immediately thought of Isis wings, which I’ve modelled in and danced with before (they’re an oriental dance prop), and ordered some of my own in time for the shoot. I chose some large silver translucent ones, which I thought would shimmer in the light and look delicate enough to let it through in certain conditions – I personally prefer them to other colours I’ve seen and used before, but you can get them in all different shades to suit your skin tone; traditionally you would match them to the colour of your costume. I love the permanent pleat structure on them, too, which can look a bit like the veins on a leaf (or, er, a wing). As a prop they can be difficult to work with in windy conditions, as they literally feel like they will take flight at times, so balancing in delicate poses isn’t as easy as it would otherwise be. They also reflect a lot of light (which I think is a good thing). I am so pleased with how these came out and think Perry caught some absolutely jaw-droppingly beautiful scenes, some vivid colours and along with the reflections in the water, it was definitely worth the 5.5 hour train journey each way!

When I got off the train in Penzance, I was immediately greeted by pirates. Someone had joked to me previously ‘watch out for the pirates’ but, bizarrely enough, there was well and truly an official ‘pirate day’ celebration, or something going on that weekend. (That’s as much as I could get out of the cute little girl who befriended me as soon as I arrived in the hostel with Perry; she even followed me in to the bathroom, showing me her eye patch and pirate dress, which she was concerned wasn’t a real pirate dress, but which we agreed looked pretty all the same… so I had to give her a task to do, asking her to take my bottle of water to my bag in the reception area, to distract her so I could pee in private. SO cute!). The entire area of Cornwall seemed hungover from the night before, and there was mess everywhere as though a bomb had dropped, and people gallavanting around in costume. Quite a contrast from the serene, natural scenes Perry and I were shooting at!!

Anyway… With thanks to Perry, here are some of the results from a drive around different parts of West Cornwall, from beaches, to rock formations, to stone circles:

P.S. I nearly forgot to thank my ‘support group’, without which I would perhaps not have made it down to the beach in those first shots at all!!!!! In order to get down there, we had to climb/scramble down a very steep rock face. This was nothing for Perry, who does mountain climbing in his spare time (but who admitted the route was more precarious than he’d remembered from visiting the area when he was younger), but for me (in my Diesel flip-flops, as brilliant as they are), it was a little panic-inducing. There were some people climbing up and down the narrow bit who took it upon themselves to pass my bag down to Perry then direct my feet into specific places so I could get down. I said to Perry afterwards that I should just have waited a minute or two longer and they probably would have passed me down between them like a sack of helpless spuds… Hahaha. (I am adding the ‘Damsel in Distress’ tag to this post, I think.) Nothing like a bit of early morning fear to get a good set of photographs. Since then (bearing in mind my backpacking trip later this year), I have purchased some more suitable footwear… All good practise, eh? πŸ™‚

I have, since this shoot, worked with Perry again in another stunning location (to be blogged soon I’m sure!), and hopefully there’ll be a third shoot together sometime in the future!

The shed with a cave inside…

I worked recently with Rayment Kirby at his home/shed in East Sussex (before the Ophelia shoot detailed below). I think Ray is absolutely brilliant – so refreshingly ingenious with his make-shiftery. He creates backdrops, lighting and even camera equipment himself, making the most of what he has to hand. He has such a creative approach to ‘things’ and this makes the results even more special, I think. The photographs below are intended to go towards a book he’s working on at the moment, and you can read more about his fascinating methods on his blog.

Here are some of the shots from the session. Some of them were taken against a blue screen, with the idea that they would then be re-worked digitally into different backgrounds, but they work well in themselves I think.

The first shot is proabably my favourite. In front of the blue screen was hung some plastic sheeting, draped to create interesting plays with the light.

Through the window…

You can read about the methods involved in the last shot here – ‘Caving for Beginners’!

Thanks Ray and I look forward to the next one!

More Spanishness – John Evans

I’ve been looking forward to showing some of these… A few more from the week I spent in Spain with Gregory Brown and John Evans (and fellow model Hannah Ashlea).

But first, a cute snap I got someone walking past to take with my camera on the last day, just as were packing up the car to go back to the airport.

This first one is by Gregory Brown, then the rest are by John Evans.

I love this headdress – I bought it over a year ago and thought it would be worth taking to Spain, as I was told some amazing rocky venues had been scouted. The wind was so strong (especially as we were near the edge of a bit of a cliff) it kept nearly flying off, all of a feather.

These beautiful lilles, on the terrace of the apartment, were teasing us with their photogenic potential all week. I love the freshness of this set:

We shot the following in a derelict, crumbling house on the side of the road. It just so happened that the turqoise underbust corset I’d brought matched the graffiti perfectly. A very happy coincidence.

A tree John found…

An amazing rock formation, surprisingly close to a mountain road, up which some German/Swedish/Austrian cyclists were huffing and puffing (I’m not sure we ever established which nationality they were, though we had a very long conversation with one man, who seemed keen to take any opportunity to hang back from the group and catch his breath and so wanted to make sure he had recounted the thitherto events of this particular trip in great detail for us.) Greg and John were positioned too far away for us to hear when the camera was actually clicking!

And finally (for now), I’m always happy when I’m near water… I’m really pleased with these, taken on a beach: