Botticelli dreams + 3D rock textures

I love these shots by Stephen Wong (creator of the free digital magazine celebrating the artistry of nudes, ION magazine), taken when I was in Sydney recently. It’s at a location I’ve been to many times (I think I’ve now been to Australia about 6 times and almost every time had at least one shoot in this spectacular spot!), but each time has been different, and Stephen definitely made the most of the incredible rock structures. I love the textures and incredible dips, grooves and colours as well as the warm glow that shines through the final edits. It was a really windy day and I was DEEPLY jetlagged after just flying in from England (I have been told my phonecalls home were making very little sense), but it was such a good shoot and I threw myself into what felt like channelling some kind of Botticelli/Venus situation.

Stephen had such a cool set up to create some 3D images, of which I’ll include a few (at the end of the post), but also sent me plenty of the single images too. He sent me off with a few pairs of 3D glasses so I could see his results once he sent them through to me – one of those ‘my job is so cool’ moments, and hey, it’s a bonus that the glasses look so fetching… 🙂

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The god of the Tiber river

I had SUCH a nice shoot (as always) with Imagesse in September last year. We drove from different ends of the country to meet in Wiltshire at a beautiful estate, and it was such a pleasure to explore and see what images we could come up with there and in some nearby locations. I even got to sit in Poseidon’s lap (well, I was absolutely convinced it was Poseidon, silly me making assumptions based on the beautiful lake we were next to, but we later researched and discovered it was the god of the Tiber river!). Looking forward to working with Imagesse again (along with another favourite photographer and a beautiful model friend) in Cornwall in May. 🙂

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Sunflowers & Dungarees

Today I’m sharing a collection of images I’ve been sent by Colin (Capture77) taken at Big Shot Studio in Leighton Buzzard, when I’ve dropped by for a few studio days over the last few months. I really love his style and we are definitely on the same page in terms of taste. All styling is mine, though it was Colin who suggested I bring dungarees (nice to do something different!). Hope you like these as much as I do…

The sunflowers one was the last set we did after one of the days (I think it may even have been the last frame), and it was a case of me grabbing them when I spotted them in the studio and demanding we shoot with them(!). Sunflowers, for me, are a symbol of self-belief and confidence. If you are into this kind of thing, they represent the solar plexis chakra and I was once told to visualise them in order to boost feelings of self-esteem and personal power. The portrait that resulted, below, definitely channels this, and I love it for that reason.

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Attenborough meets nude model

I’m about to fly to Australia. The last time I was in Queensland, Adam Hauldren and I wound our way to this famous curtain fig tree. A fellow Brit somehow surviving upside-down living on a permanent basis (must be awful living with all that sunshine..), he kept me entertained with a spontaneous (and rather impressive) Attenborough impression (see behind-the-scenes vid I posted on facebook here for some of it!!), and when the time was right (i.e. when we felt particularly rebellious and I dared to climb the fence, take my clothes off and very quickly and unobtrusively pose by this absolute honour of a tree, he took some photos over about 3 minutes in total, I would imagine. I, of course, felt hugely privileged to encounter such a place and treated it with respect as always (in general, for example, I always make sure not to trample wildflowers, when posing, or snap twigs – I bend them gently away instead if needed and blow gently at spiders or reason with them rather than do them any harm…). Here, I just stood briefly in the majesty of this enormous, spectactular and ancient tree, and felt the journeys of glorious roots at my feet. So wonderful. Thank you Adam for detouring us to this magical place!

Below the images of me at the curtain fig are a few of the infra-red portraits he took earlier that week. Infra-red + very little make up = brilliant, ghostly, etheral, other-worldliness. I think I look quite spooky! Aren’t the leaves lovely? And you can see all my veins! So cool.

Hope you like these! I’m sending out a newsletter over the next week with updates on all my antics and some upcoming travel tour dates, so please do sign up if you haven’t already. Filling in that quick form is the best way of making sure I send you a direct email when next visiting your area, too, and is a new system that surpasses all previous attempts at systems I have made over the years. (Can you believe I’ve been modelling all over this planet for nearly a decade? What a bizarre and wonderful way to spend time! Thanks for watching…)

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Venice & Blues

I’ve had a few more shoots with the wonderful person that is J H, recently. There is a bit of a queue of images to share from what we’ve created together. For now, I’ll share some we did in exquisite Venice in March this year, followed by what is now our traditional escapade to my local Oxfordshire bluebell woods which bloom with breath-taking hues (of which I will never tire!) every April/May. This time we added an extra twist in the shape of Joy Draiki, a dutch model who was visiting the UK and who I contacted because of how certain I was that we would model together well. I think I was right… Our figures/looks are very similar/complementary and we hope to work together again at some point. I don’t often find models who work with me so well in terms of similarity in shape/mood/physique, and when I do (you’ll have spotted such occasions before on this blog) it’s really very lovely.

BUT BEFORE I GET TO THE IMAGES, did you know that I have a mailing list? Please sign yourself up – I’m about to send out the third-ever newsletter after I’ve written this blog post, and it will include all sorts of snippets of inside info (things like why you won’t see me much on social media, what I think about my body, when my next trip to Australia is, why junkyard golf makes a good date… etc…) as well as a list of my few remaining dates left for booking a shoot with me between now and the end of 2018. Importantly, there’s an option to include your nearest city when you sign up, so that I can directly email you when visiting your part of the world in future – many photographers find this really helpful. …And, the fact that this will only be my third newsletter in 7 months should reassure you that you won’t be inundated with spam if you sign up. 🙂 #spamisforlosers

Righty-ho then, onward with some images from that dreamy springtime jaunt to Venice I alluded to… I am so incredibly lucky that brilliant people choose to whisk me off to magical places such as these. Hope you like the results:

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October’s Blue Ring Octopus

Shoot numero one in Australia and I’m already being educated about their wild and wonderful creatures. Blue octopi (extraordinarily pretty, but not particularly friendly) hang out in tide pools, etc.. I didn’t actually spot one but after they were mentioned on this lovely little shoot with photographer Geoffrey Cutts, I kept an eye out! I love Australian shoots – every moment is a wildlife lesson. And, alarmingly often, the creatures they describe are not actually made up.

I’d actually modelled at this particular location a few times before, but it seems that every time I’m there, the water revs up and goes crazy, which makes for some dramatic shots. I’m going to just assume it’s because I’m extremely powerful – some kind of magnetic force. 🙂

Well, to avoid this post seeming like clickbait, here’s a blue octopus so no one is disappointed:
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And here are a few of Geoff’s photos of me. We had a lovely time – I really enjoyed it! 🙂

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The Albion Beatnik Bookstore

The Albion Beatnik Bookstore in Oxford, recently closed, was one of a kind. A totally unique haven for book and music lovers, with a hefty collection of loose leaf tea. You can imagine: I spent quite a bit of time there. I was granted access to using this characterful place as a photographic location last year for a couple of shoots, and briefly advertised this (it pays to be on my mailing list, take note..!) the following were taken by Paul Jeffery, who grappled bravely with minimal light options and cramped dimensions in such a brilliantly chaotic place. Throw a piano into the situation, plus a touch of costuming towards the end (a good art model always packs her finger cymbals for a shoot!), and this is what you get:

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