I was lucky enough to have had two shoots last year with photographer Owen Lloyd – first in August at Atlas Studios, as part of an event organised by Nicole Rayner which brought us together along with Ivory Flame for a ‘trio’ day at the brilliant (but very filthy) industrial indoor location. Owen was one of the photographers attending the day and got some amazing images, then in December he booked me at Sandon Studio in Staffordshire, where we made the most of a few of its atmospheric sets (and I half-froze to death due to the heating not being on there, despite Owen doing a great job of hauling mini heaters around with us from room to room!). I’m convinced our third shoot might be both warm and clean (though I’d better not jinx it..!). 🙂
Owen is a total pleasure to model for as he really takes his time with his lighting and is very experimental and creative. I find photographers often apologise incessantly to me when they feel they’re taking too long setting up lights, as though I they might think I’d feel my time is being wasted somehow, but really it’s completely normal to keep tweaking things until you get the results you’re after, and if there was a choice, I’d far rather a photographer faffed for much of the shoot and got some amazing images by the end, than shoot ten thousand images without stopping to check, only realising later that they would have been improved by pausing to assess the results as we went along and making some simple changes to the angle/intensity/effect of the lights.
[Interlude for announcement… (drum roll)… Those of you on my mailing list will know I’m now planning a big tour of the US/Canada for next year. It’ll be a whistle-stop tour of quite a few places, and a huge job to organise, hence me taking bookings already, 10 months in advance. Send me an email (email@example.com or via the contact form here on the website) if you’d like more info!]
With enormous thanks to Owen, whose use of colour I adore:
I love these shots by Stephen Wong (creator of the free digital magazine celebrating the artistry of nudes, ION magazine), taken when I was in Sydney recently. It’s at a location I’ve been to many times (I think I’ve now been to Australia about 6 times and almost every time had at least one shoot in this spectacular spot!), but each time has been different, and Stephen definitely made the most of the incredible rock structures. I love the textures and incredible dips, grooves and colours as well as the warm glow that shines through the final edits. It was a really windy day and I was DEEPLY jetlagged after just flying in from England (I have been told my phonecalls home were making very little sense), but it was such a good shoot and I threw myself into what felt like channelling some kind of Botticelli/Venus situation.
Stephen had such a cool set up to create some 3D images, of which I’ll include a few (at the end of the post), but also sent me plenty of the single images too. He sent me off with a few pairs of 3D glasses so I could see his results once he sent them through to me – one of those ‘my job is so cool’ moments, and hey, it’s a bonus that the glasses look so fetching… 🙂
I’m not doing a 2018 version of my usual ‘highlights from each shoot’ bumper post this year – simply because I have the work of precisely 70 photographers I’ve modelled for this year that I’m yet to share! (What can I say – it’s been a busy one even by my standards!!!) So I’m keeping calm and carrying on, and doubling up this blog post to show the work of TWO photographers I worked with this year, with the theme of ‘portraits’.
First, I am delighted to show three of my favourite images here which were taken by Joe B all the way back in January(!). He was going (as you can probably tell) for a sort of ‘Hollywood’ feel to these, and it was really cool to see what he was able to achieve, especially as the studio technology was playing up a bit and it all became a bit of a challenge, skilfully worked around in the end with some striking results: